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  1. Improvisation and the Self-Organization of Multiple Musical Bodies.Ashley E. Walton, Michael J. Richardson, Peter Langland-Hassan & Anthony Chemero - 2015 - Frontiers in Psychology 6:1-9.
  • Sensorimotor Grounding of Musical Embodiment and the Role of Prediction: A Review.Pieter-Jan Maes - 2016 - Frontiers in Psychology 7.
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  • Spontaneous Preferences and Core Tastes: Embodied Musical Personality and Dynamics of Interaction in a Pedagogical Method of Improvisation.Julien Laroche & Ilan Kaddouch - 2015 - Frontiers in Psychology 6.
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  • Pianism: Performance Communication and the Playing Technique.Barbara James - 2018 - Frontiers in Psychology 9.
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  • Creating Time: Social Collaboration in Music Improvisation.Ashley E. Walton, Auriel Washburn, Peter Langland-Hassan, Anthony Chemero, Heidi Kloos & Michael J. Richardson - 2018 - Topics in Cognitive Science 10 (1):95-119.
    Musical collaboration emerges from the complex interaction of environmental and informational constraints, including those of the instruments and the performance context. Music improvisation in particular is more like everyday interaction in that dynamics emerge spontaneously without a rehearsed score or script. We examined how the structure of the musical context affords and shapes interactions between improvising musicians. Six pairs of professional piano players improvised with two different backing tracks while we recorded both the music produced and the movements of their (...)
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  • Your Body, My Body, Our Coupling Moves Our Bodies.Guillaume Dumas, Julien Laroche & Alexandre Lehmann - 2014 - Frontiers in Human Neuroscience 8.