Switch to: References

Add citations

You must login to add citations.
  1. The Necessity of Art, Ernst Fischer, with an Introduction by John Berger, London: Verso, 2010.Jeffrey Petts - 2012 - Historical Materialism 20 (2):195-209.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  • Le Sens-Sans-Signe: Pour Une Éthique de la Création.Benoît Maire & Anne-Françoise Schmid - 2018 - Labyrinth 19 (2):132-139.
    The following article is the result of a collaboration between a painter and a woman philosopher. They worked previously on an experimental documentary film about objects and art objects, which was realized at Palais de Tokyo. The painter had illustrated in black and white fictions of philosophy, written during a festival on lost films organized by UNdocumenta in South Korea, and then he made photographs of oil paintings of the English translation. This article about painting and philosophical ethics is their (...)
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  • The Ambiguity of Artworks –A Guideline for Empirical Aesthetics Research with Artworks as Stimuli.Gregor U. Hayn-Leichsenring - 2017 - Frontiers in Psychology 8.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   1 citation  
  • Danto and the Pale of Aesthetics.Jürgen Lawrenz - 2018 - The European Legacy 23 (6):658-673.
    Arthur Danto’s Transfiguration of the Commonplace is a new theory of art, seeking to catch the flavour and essence of its contemporary phenomenology. It is obliged, however, to pit itself in toto against aesthetic philosophy, leaning on the derivatives from deuteropraxis and institutional definition while committing itself to a concept of arthood extracted from exoteric ideas, which are held to comprise the artworks’ individuation and identity. This paper examines the principal notions in support of his contentions and contrasts them to (...)
    No categories
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  • Art Concept Pluralism.Christy Mag Uidhir & P. D. Magnus - 2011 - Metaphilosophy 42 (1-2):83-97.
    Abstract: There is a long tradition of trying to analyze art either by providing a definition (essentialism) or by tracing its contours as an indefinable, open concept (anti-essentialism). Both art essentialists and art anti-essentialists share an implicit assumption of art concept monism. This article argues that this assumption is a mistake. Species concept pluralism—a well-explored position in philosophy of biology—provides a model for art concept pluralism. The article explores the conditions under which concept pluralism is appropriate, and argues that they (...)
    Direct download (6 more)  
     
    Export citation  
     
    Bookmark   4 citations