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The Art Circle

Philosophical Review 96 (1):141-146 (1987)

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  1. The Genius in Art and in Sport: A Contribution to the Investigation of Aesthetics of Sport.Stephen Mumford & Teresa Lacerda - 2010 - Journal of the Philosophy of Sport 37 (2):182-193.
    This paper contains a consideration of the notion of genius and its significance to the discussion of the aesthetics of sport. We argue that genius can make a positive aes- thetic contribution in both art and sport, just as some have argued that the moral content of a work of art can affect its aesthetic value. A genius is an exceptional inno- vator of successful strategies, where such originality adds aesthetic value. We argue that an original painting can have greater (...)
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  • The Institutional Theory of Art: A Survey.David Graves - 1997 - Philosophia 25 (1-4):51-67.
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  • Artistic Institutions, Valuable Experiences: Coming to Terms with Artistic Value.Henry John Pratt - 2012 - Philosophia 40 (3):591-606.
    Supposing that talk of a distinctively artistic type of value is warranted, what separates it from other sorts of value? Any plausible answer must explain both what is of value and what is artistic about artistically valuable properties. Flaws with extant accounts stem from neglect of one component or the other; the account offered here, based on careful attention to actual art-critical practices, brings both together. The “value” component depends on the capacity of artworks to provide subjectively valuable experiences, while (...)
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  • “Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design.Larry Shiner - 2012 - Philosophy Compass 7 (4):230-244.
    Art world talk of “blurred boundaries” and “hybrids” between art and craft, suggests that the philosophy of art needs to rethink the concept of craft. This can best be done by adopting four strategies: first, distinguish between craft as a set of disciplines, and craft as a process and practice; second, keep in mind the differences among craft practices such as studio, trade, ethnic, amateur, and DIY; third, recognize that craft’s relationship with design is as important as its relationship to (...)
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  • Ink, Art and Expression: Philosophical Questions About Tattoos.E. M. Dadlez - 2015 - Philosophy Compass 10 (11):739-753.
    This essay offers an overview of the reasons why tattoos are philosophically interesting. Considered here will be a partial survey of potential areas of philosophical interest with respect to tattoos, fortified by a little historical context. Claims about the ethical significance of tattoos and about the significance of tattoos for self-expression and as expressions of identity will be canvassed in the first two sections, as will questions about what they express or signify, how they might do so, and whose expression (...)
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