Many biologists still believe in a sort of post-Cartesian foundation of reality wherein objects are independent of subjects which cognize them. Recent research in behaviour, cognition, and psychology, however, provides plenty of evidence to the effect that the perception of an object differs depending on the kind of animal observer, and also its personality, hormonal, and sensorial set-up etc. In the following, I argue that exposed surfaces of organisms interact with other organisms’ perception to form semiautonomous relational entities called semantic (...) organs, which participate in biological reality as discrete heritable evolutionary units. The inner dimensions and potentialities of an organism can enter the senses of another living being when effectively expressed on the outer surfaces of the former and meaningfully perceived by the latter. Semantic organs have three basic sources of variability: intrinsic, i.e., genetic, epigenetic, and developmental processes; extrinsic, meaning the biotic and abiotic environmental conditions which affect the developmental generators of intrinsic variability; and perceptual, stemming from differences in the subject-specific interpretation of a SO’s structural basis. Extrinsic and intrinsic sources of variability are, however, just precursors to semantic organs. SOs are relational entities which always come into existence through an act of perception and their actual form depends both on the physical potentialities of the bearer and the species- or group-specific interpretation of the receiver. (shrink)

Image schemas are mental constructs central to human cognitive psychology. The neurobiological grounding of these structures has been suggested by experimental research both in non-human primates and lower animals . However, their applicability as concrete cognitive products has not been explored yet in zoosemiotics. This study shows that image schemas are highly instrumental to making sense of the impersonations of two animals featured in biology research studies and wildlife documentary films: the mimic octopus and the Gibb’s sea spider crab . (...) In analysing the movements and postures of these animals, it is argued that image schemas underlie recurring patterns of animal bodily experience and response, which ties image-schematic structures to non-human intersubjectivity. In line with the pluralistic view of zoosemiotics , this paper takes an intermediary position in the continuity–discontinuity debate regarding communication in humans and animals. In this regard, the complexity of the creative behavioural models of the animals examined leaves the door open for the existence of sophisticated mental life in non-human species. (shrink)

Biosemiotics to date has focused on the exchange of signals between organisms, in line with bioacoustics; consideration of the wider acoustic environment as a semiotic medium is under-developed. The nascent discipline of ecoacoustics, that investigates the role of environmental sound in ecological processes and dynamics, fills this gap. In this paper we introduce key ecoacoustic terminology and concepts in order to highlight the value of ecoacoustics as a discipline in which to conceptualise and study intra- and interspecies semiosis. We stress (...) the inherently subjective nature of all sensory scapes and propose that they should always bear an organismic attribution. Key terms to describe the sources and scales of soundscapes are described. We introduce epithets for soundscapes to point to the degree to which the global environment is implicated in semiosis ; terms for describing key ecological structures and processes and examples of ecoacoustic events are described. The acoustic eco-field is recognized as the semiotic model that enables soniferous species to intercept core resources like food, safety and roosting places. We note that whilst ecoacoustics to date has focused on the critical task of the development of metrics for application in conservation and biodiversity assessment, these can be enriched by advancing conceptual and theoretical foundations. Finally, the mutual value of integrating ecoacoustic and biosemiotics perspectives is considered. (shrink)

In twentieth-century continental philosophy, German philosophical anthropology can be seen as a sort of conceptual laboratory devoted to human/animal research, and, in particular, to the discontinuity between human and non-human animals. Its main notion—the idea of the special position of humans in nature—is one of the first philosophical attempts to think of the specificity of humans as a natural and qualitative difference from non-human animals. This school of thought correctly rejects both the metaphysical and/or religious characterisations of humans, and the (...) positivistic gradualism, that sees the human being as an animal endowed with a greater degree of certain faculties. At the same time, German philosophical anthropology still takes it for granted that such natural-qualitative novelty is unique in the realm of the living, that in correspondence with humans there is the hiatus, the discontinuity par excellence. The semiotic side of this view is the distinction between signs and symbols developed by Ernst Cassirer and Susanne Langer: animal signs would be mere proxies for perceptive elements or stimuli, whereas only human symbols could convey complex representation of objects and situations. The goal of this contribution is to criticise the alleged uniqueness of the hiatus and its semiotic implications through the opposite approach of the diffuse discontinuities. This approach that focuses on the semiotic traits of different species-specific environments can be traced back to Jakob von Uexküll’s biosemiotical phenomenology, which thinks of discontinuities as a normal phenomenon of animal life. (shrink)