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  1. Imagination.Jennifer A. McMahon - 2018 - In Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability. New York, USA: Routledge. pp. 66-87.
    The standard cognitive theory of art claims that art can be insightful while maintaining that imagining is motivationally inert [Walton 1990] even when some epistemic advantage is claimed for it [Currie 1995]. However, if we assume art as art can be insightful, we also assume that the imagining it occasions has a lasting impact on belief. In this chapter, I argue that imagining of the kind occasioned by art can be held non-occurrently [Schellenberg 2013] without delusion and can motivate behaviour (...)
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  • Liberal Naturalism , Aesthetic Reflection, and the Sublime.Jennifer A. McMahon - 2022 - In Mario De Caro & David Macarthur (eds.), The Routledge Handbook of Liberal Naturalism. New York, NY: Routledge. pp. 281-298.
    According to the scientific image, aesthetic experience is constituted by private reverie or mindless gratification of some kind. This image fails to fully acknowledge the theoretical and hence cultural aspect of perception, which includes aesthetic experience. This chapter reframes aesthetic reflective judgment in terms of perceptual processes (section 2); intentional pleasure (section 3); non-perceptually represented perceptual properties (section 4); and intersubjectivity (section 5). By clarifying the relevant terms, the liberal naturalist account of the sublime provides the link between the sublime (...)
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  • Pre-cueing, the Epistemic Role of Early Vision, and the Cognitive Impenetrability of Early Vision.Athanassios Raftopoulos - 2017 - Frontiers in Psychology 8.
  • The Effects of Spatial Endogenous Pre-cueing across Eccentricities.Jing Feng & Ian Spence - 2017 - Frontiers in Psychology 8.
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