This dissertation in classics might be of interest for gender studies as well since it is a sustained demonstration how one social and literary sterotype (the elegiac lover -- der elegisch Liebende) is systematically transformed into another (the artist of love -- der Liebeskünstler) as part of generic transformation (turning Latin love elegy into didactic poetry). The counterpart of these stereotypes is the "harsh lady" (dura domina), who is domesticated in the third book of the Ars amatoria. The copyright for (...) the book belongs to the author, who has uploaded it to the site. Please feel free to use it for non-profit purposes. (shrink)

It is often held that Plato did not have a viable account of interpersonal love. The account of eros—roughly, desire—in the Symposium appears to fail, and, though the Lysis contains much suggestive material for an account of philia—roughly, friendship—this is an aporetic dialogue, which fails, ultimately, to provide an account of friendship. This paper argues that Plato's account of friendship is in the Phaedrus. This dialogue outlines three kinds of philia relationship, the highest of which compares favourably to the Aristotelian (...) notion of love for another ‘for their own sake’. In contrast to the account of eros in the Symposium, this gives Plato an account of interpersonal love that meets some of the requirements laid down by Gregory Vlastos for a satisfactory account of interpersonal love. (shrink)

ABSTRACT: In the Symposium Socrates shows how Diotima initiated him into the mysteries of love in two stages. Yet, at first sight, the teachings offered at the two stages seem divergent and discontinuous. In this article I argue that we can understand the continuity between them if we regard Diotima’s notions of spiritual pregnancy and birth-giving as metaphors suggesting that the metaphysical horizon looming in the background of her teaching is that of Plato’s theory of recollection.RÉSUMÉ: Socrate explique dans le (...) Banquet comment Diotime l’a initié aux mystères de l’amour en suivant deux niveaux. Pourtant, de prime abord, les enseignements dispensés à ces deux niveaux semblent divergents et séparés par une solution de continuité. Je soutiens dans cet article qu’il est possible de comprendre la continuité entre ces deux niveaux si on considère les notions de grossesse spirituelle etd’enfantement avancées par Diotime comme des métaphores qui laissent entrevoir la théorie de la réminiscence à l’horizon métaphysique de cet enseignement. (shrink)

A crux of Plato’s Symposium is how beauty relates to the good. Diotima distinguishes beauty from the good, I show, to explain how erotic pursuits are characteristically ambivalent and opaque. Human beings pursue beauty without knowing why or thinking it good; yet they are rational, if aiming at happiness. Central to this reconstruction is a passage widely taken to show that beauty either coincides with the good or demands disinterested admiration. It shows rather that what one loves as beautiful does (...) not appear good, a proposal with ramifications for ethical psychology. (shrink)

Plato is commonly considered a metaphysical dualist conceiving of a world of Forms separate from the world of particulars in which we live. This paper explores the motivation for postulating that second world as opposed to making do with the one we have. The main objective is to demonstrate that and how everything, Forms and all, can instead fit into the same world. The approach is exploratory, as there can be no proof in the standard sense. The debate between explaining (...) Plato’s ontology with a single world and requiring a two-world model to make sense of the same thing is typically about scouring the Platonic corpus for evidence and turning to Aristotle for help where we need it. The aim here is to dig deeper than what either of them, or anyone else, has said or implied about the number or worlds, searching instead for any insight that might be gained from the way Forms are supposed to exist versus what we ourselves might understand by existence. Although the paper is, at its most basic level, about the existence of the Forms, the intention is not to prove that they exist, nor to evaluate the proofs and objections already on record, but to consider how they might exist and what follows if they do. Dialogue toward consensus on why we think the Forms exist, and why we think they do not, could perhaps provide a smoother “second sailing” in waters where we have been unable to agree whether they do and where they would if they did. (shrink)

The paper argues that thumos, which is never explicitly mentioned as a part of the soul in the Symposium, plays a major role in the dialogue. In light of the Republic’s characterization of thumos as the source of emotions such as of love of honor, love of victory, admiration for courage, shame, anger, and the propensity to become indignant at real or imaginary wrongs, the paper argues that both Phaedrus’ speech and the speech of Alcibiades are shaped by thumoeidetic motivations. (...) While Phaedrus’ stress on shame, honor, glory and courage aims at proving that Eros inspires virtue, the speech of Alcibiades shows that thumoeidetic motivations are not sufficient to shape a noble character. The dependence on recognition, the ambiguous role played by shame, and the tension between what is admirable and what just happens to be admired are implicit shortcomings in Phaedrus’ speech. When the same themes come back in Alcibiades’ speech they work as negative counterpoints to Phaedrus’ main arguments. Alcibiades’ obsession with power and victory dominates his ambivalent encomium of Socrates. The speech does not reveal who Socrates really is. Rather, it shows how the philosophical life can be misunderstood when reason’s best ally takes over in the souls of men. (shrink)

In his dialogues, Plato presents different ways in which to understand the relation between Forms and particulars. In the Symposium, we are presented with yet another, hitherto unidentified Form-particular relation: the relation is Love (Erôs), which binds together Form and particular in a generative manner, fulfilling all the metaphysical requirements of the individual’s qualification by participation. Love in relation to the beautiful motivates human action to desire for knowledge of the Form, resulting in the lover actively cultivating and bringing into (...) being new beauty in the world, and in herself. Chapters 1 and 2 of this thesis offer a survey of the arguments and examples Plato puts forward in the text of the corpus regarding the nature of Forms and the nature of participation, alongside a framework of the traditional interpretations of these two Platonic concepts in the literature. Chapter 3 turns to a close examination of Erôs in the Symposium, arguing that the love Plato presents in this dialogue is of a different sort than appetitive emotion. It is an aesthetic and intellectual attraction, capable of stimulating cognitive achievement. Erôs, however, does not stop there. The lover is led not only to contemplation of beauty, but to the generation of beauty, which is the subject of Chapter 4. The emotive-turn-to-cognitive relation of Erôs, I argue, is the clearest picture Plato paints of how possession of properties can be explained through participation in Forms. Erôs leads the lover to produce beauty in the world and in the soul, which explains how love in relation to the beautiful can lead to becoming beautiful. The object of love is the generation of beauty, the mortal mechanism of participation in the Form by which the lover herself becomes beautiful. Finally, Chapter 5 focusses on beauty itself and its role in moral education. Beauty, for Plato, is required for creative generation and can be understood as a uniquely powerful virtue of soul. (shrink)

Plato’s Socrates is famous for claiming that “I know one thing: That I know nothing”. There is one subject that Socrates repeatedly claims to have expertise in, however: ta erôtika. Socrates also refers to this expertise as his erôtikê technê, which may be translated as “erotic expertise”. In this dissertation, I investigate Socrates’ erotic expertise: what kind of expertise is it, what is it constituted by, where is it put into practice, and how is it practiced? I argue that the (...) purposes this expertise serve are, to a significant extent, educational in nature. After first having clarified the dissertation’s topic and aim, as well as my methodological approach, I present an initial account of erôs and Socrates’ erotic expertise. While discussing what constitutes Socrates’ erotic expertise, I account for two erotic educational methods: midwifery and matchmaking. I further argue that these methods tend to be accompanied by two psychological techniques, namely charming and shaming. I argue that these methods and techniques are systematically applied by Socrates when he puts his erotic expertise into practice. In the dissertation, three dialogues where Socrates practices his erotic expertise are scrutinized: Lysis, Charmides, and Alcibiades I. I focus on Socrates’ encounters with the eponymous youths of the dialogues, and each dialogue is devoted a chapter of its own. I show how these dialogues are erotically charged, and also how Socrates in these dialogues demonstrates his erotic expertise. I argue that Socrates’ expertise on erôs plays an essential role in his attempts to engage the three youths in the processes of self-cultivation, learning, and the very practice of philosophy. In the final chapter of the dissertation I turn to some questions that arise in light of my readings, and summarize the results of my investigation. (shrink)

When the question is posed as to when Chinese thought influenced Western philosophy, people often turn to the philosophy of the German rationalist Christian Wolff, whose 1721 speech on the virtues of Confucianism led to his academic indictment and eventual ousting from the University of Halle in 1723. In his speech, Wolff lauds the Chinese for attaining virtues by natural revelation rather than appealing to Christian revelation, which made their accomplishments all the more impressive in his eyes (Fuchs 2006). According (...) to Kanamori (1997), the audience of Wolff’s speech “criticized it as the product of atheistic thoughts because they thought that the speaker valued Chinese morality as highly as Christian morals, which were formulated by divine revelation” (p. 299). The worry, in other words, was that Wolff was corrupted by Chinese thought since the atheism of Confucianism may have influenced Wolff’s own views. Almost invariably, Gottfried Wilhelm von Leibniz’s name is involved in conversations that question the Chinese influence on Western philosophy, but it is typically tempered by the standard scholarly interpretation of the Leibniz-China connection, which is that Leibniz respected Chinese thought but was not influenced by it. I will argue against this standard scholarly interpretation by showing how Leibniz could have been influenced by Chinese thought. In particular, I propose that Leibniz’s conception of monads, which is something that we only see after his engagement with Chinese thought, may have been influenced by the Huayan Buddhist concept of li, which creeps into the Neo-Confucianism with which Leibniz had exposure. Should my argument be persuasive, this means that Chinese thought influenced the Western world sooner than has been previously believed. (shrink)

Las experiencias de justicia transicional en la antigüedad griega muestran hasta qué punto las emociones pueden jugar un papel específico en el restablecimiento social de la memoria, la justicia y la verdad. A partir de un estudio de fuentes clásicas provenientes de Atenas, Dicea y Nacone, el propósito del presente trabajo es identificar la ficción afectiva sobre la que reposan estos marcos institucionales: al proyectar el plano emocional desde los individuos hasta la colectividad, se produce una instalación política del páthos (...) que, mediante la planificación, procura superar los efectos traumáticos de la guerra civil y diseñar una comunidad emocional basada en las virtudes de la reconciliación. (shrink)

In recent decades "virtue ethics" has become an accepted theoretical structure for thinking about normative ethical principles. However, few contemporary virtue ethicists endorse the commitments of the first virtue theorists---the ancient Greeks, who developed their virtue theories within a commitment to eudaimonism. Why? I believe the objections of modern theorists boil down to concerns that eudaimonist theories cannot properly account for two prominent moral requirements on our treatment of others. ;First, we think that the interests and welfare of at least (...) some others ought to give us non-instrumental reason for acting---that is, reason independent of consideration of our own welfare. Second, we think others are entitled to what we might call respect, just in virtue of their being persons. Eudaimonist accounts either cannot account for these intuitions at all, or they give the wrong sort of account. ;My dissertation assesses the resources of eudaimonism to meet these lines of criticism. Chapter 2, 3, and 4 survey the views of Plato, Aristotle, and the Stoics, to discover insights that are important for a successful response. In Chapters 5 and 6, I offer my own account, based on what I call empathic identification. This is the habit or disposition of seeing things, in effect, through the eyes of others. Empathic identification is a process through which the interpersonal transmission of reasons for actions between persons becomes possible. I argue first that our interest in our own eudaimonia justifies us in identifying empathically with others as a general habit or disposition. Second, I argue that empathic identification explains our intuitions about the respect others are due. So empathic identification generates the right sort of explanation of our intuitions about the constraints others and their interests impose upon us after all, and renders eudaimonist virtue ethics a viable form of ethical theory. (shrink)

Despite Diotima’s irresistible virtues and attractiveness across the millennia, she spells trouble for philosophy. It is not her fault that she has been misunderstood, nor is it Plato’s. Rather, I suspect, each era has made of Diotima what it desired her to be. Her malleability is related to the assumption that Plato invented her, that she is a mere literary fiction, licensing the imagination to do what it will. In the first part of my paper, I argue against three contemporary (...) ‘majority views’ about Diotima that I regard as false. The first is that we can be certain she is fictional;1 a second is that Diotima is our best evidence for Plato’s feminism; the third, that she is Plato’s mouthpiece for the higher mysteries in the Symposium. After I have set aside what I regard as false, I proceed in the second half of my paper to develop Diotima’s positive contribution to philosophical psychology, her naturalistic account of the psyche as mortal, unified, and developmental. Whether the view Plato assigns to her is one that he held I do not pretend to know; but it is a powerful, defensible, and coherent view that inspired positive aspects of Freudian psychology in the twentieth century. Freud’s insight, in fact, makes clear how erōs can be developed in relation to the bad as well as the good. (shrink)

A commentary on the Symposium as a challenge and a gift to Athens. I begin with a reflection on three dates: 416 bce, the date of Agathon’s victory party, c. 400, the approximate date of Apollodorus’ retelling of the party, and c. 375, the approximate date of the ‘publication’ of the dialogue, and I argue that Plato reminds his contemporary Athens both of its great poetic and legal and scientific traditions and of the historical fact that the way late fourth (...) century Athens appropriated them in some way led to the city’s demise at the turn of the century; thus the dialogue is Plato’s challenge to his contemporary Athens to recognize and overcome its flawed relation to its cultural resources. Heard in this way, the key moments are Aristophanes’ implied critique of Pausanias and Eryximachus and Socrates’ implied critique of Aristophanes and Agathon. Proceeding by a close reading, I argue that Plato exposes, for those moved to rise to his challenge, the failure of his great predecessors to conceive the divine in a way that, worthy of the height and otherness divinity requires, can provide substantive orientation for the burgeoning new reason that animates the city’s culture. (shrink)

Though Dante never read Plato's dialogues on love, when examining the texts of Dante one notes the presence of Platonic thought and influence particularly concerning the notion of love. This thesis will focus upon the Platonic notion of eros and how it changes over time, ultimately being integrated into the Christian notion of love as understood by Dante, and how this Platonic influence is instantiated within Dante's poetry. The inherent ambiguity of the concept of love, evident historically through frequent debates (...) concerning its value whether positive, negative or in-between, makes any investigation into the nature of love problematic, often aporetic. One aim of this thesis is to help overcome some of the aporiai of knowledge concerning love through focusing upon one form of love, eros or passionate desire, which we shall use in order to understand love more generally through exploring its points of intersection and overlapping with certain other types of love, each of which emphasizes different aspects of love's character differentiated through culture and period. Significantly eros, as perhaps the most ambiguous type of love, is often characterized negatively. Taking into account Nygren's negative view of eros which he sees as being wholly acquisitive and self-seeking as opposed to the thoroughly selfless Christian agape, we shall consider whether this view tells the full truth about eros. In this endeavour we shall explore the interrelationship of eros and understanding understood as a dialectic directed towards the pursuit of truth, which in both the Platonic and Christian traditions involves the permanent possession of the good, beautiful and true; these converge in Neo-Platonic tradition, forming a unity which in Christianity is identified with God. We shall also explore how various strands of eros relate to and articulate the notion of love of the individual. These explorations cast light on the transformation of Platonic eros by Christian agape into the Latin concept of caritas. In terms of procedure, we shall examine the notion of Platonic eros as presented in the Symposium and the Phaedrus and how this conception is reinterpreted in Dante's Commedia, these texts together acting as a lens which -will enable us better to comprehend the significance of Bros, and of love more generally, through the transformation of eros over time. (shrink)

This thesis begins from an analysis of Derrida's specific readings of Plato and Platonism, identifying there a modernist bias, which interprets these metaphysical systems as if they were coextensive with Cartesian rationalism. Against Derrida, I argue for a repositioning of Plato and Platonism in the context of an ancient-modern quarrel. In replacing Descartes's "clarity and distinctness" with a pre-modern emphasis on "faith" (pistis), I am seeking to challenge Derrida's diagnosis of a perplexity or impasse (aporia) which cannot be overcome by (...) philosophy. With specific reference to the Meno and the Phaedrus, one can locate a three-tiered Platonic dialectic beginning with an assertion of knowledge, followed by a necessary deconstruction of this knowledge with, thirdly, a tentative reconstruction of philosophy based on faith rather than knowing. In later chapters, I examine this dialectic as it is developed in the Neo- and Christian- Platonist traditions, particularly through the work of Plotinus, Boethius and Augustine. On my interpretation, deconstruction remains at the second level of the Platonic dialectic, that of impasse and perplexity (one of Derrida's most recent texts is in fact entitled Aporias). Again with reference to an ancient-modern quarrel, it is my contention that Derrida's unstinting stress on the "aporetic" is due to an overemphasis of the Cartesian paradigm. Derrida identifies the exhaustion of what Deeley calls "the classical modern paradigm" with the exhaustion of philosophy per se. But this identification of philosophy with Cartesianism can be seriously challenged through a renewed foregrounding of the premodern philosophical resources which Descartes (and now Derrida) have sought to obscure. (shrink)

The article tries to prove that the famous formula "epekeina tês ousias" has to be understood in the sense of being beyond being and not only in the sense of being beyond essence. We make hereby three points: first, since pure textual exegesis of 509b8–10 seems to lead to endless controversy, a formal proof for the metaontological interpretation could be helpful to settle the issue; we try to give such a proof. Second, we offer a corollary of the formal proof, (...) showing that not only self-predication of the form of the Good, but of any form is not possible, that is: no form of F has the form of F. Third, we apply Spinoza’s distinction between an ens imaginarium and a chimaera to Plato’s Idea of the Good. (shrink)

This paper discusses two debated questions about how best to interpret the contribution to the Symposium that Socrates pretends to derive from Diotima: Within the Lesser Mysteries, is the erōs that is being defined and characterized, with appeal to the notion of “generation in beauty”, a generic erōs that is equivalent to Socratic desire in general, or a specific erōs that is erotic in our sense? Within the Greater Mysteries, is interpersonal erōs maintained, or supplanted? I find that neither answer (...) to unproblematic, but argue that either can be reconciled with the text, and suggest that both leave open the really interesting questions. I then, in answer to, concede that there are radical shifts of focus, but conclude that it is most likely that interpersonal erōs has a continuing role in, eventually, making the lover worthy of “becoming dear to the gods and, if any man can, immortal himself also”. Here I appeal especially to the phrase “ungrudging philosophy”, taking it to signify an activity that is not kept to oneself, but shared with another. (shrink)

Critics of Plato’s theory of love have maintained that he misrepresents the love of persons, treating them merely as a means to the love of the Good or as an image of the Idea in them, rather than the person herself. Other critics claim that Plato sees love as a purely acquisitive and egocentric desire that is fundamentally at odds with an ethical love such as Biblical agape. I will argue that the second of these criticisms is just wrong, and (...) the first, overstated. Regarding the egocentric thesis, I will attempt to show that Plato views love not merely as a desire to possess, but also as a generative urge to create. Special attention will be given to the speech of Alcibiades in addressing both of these charges. (shrink)