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  1. Julia Kristeva's Feminist Revolutions.Kelly Oliver - 1993 - Hypatia 8 (3):94-114.
    Julia Kristeva is known as rejecting feminism, nonetheless her work is useful for feminist theory. I reconsider Kristeva's rejection of feminism and her theories of difference, identity, and maternity, elaborating on Kristeva's contributions to debates over the necessity of identity politics, indicating how Kristeva's theory suggests the cause of and possible solutions to women's oppression in Western culture, and, using Kristeva's theory, setting up a framework for a feminist rethinking of politics and ethics.
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  • The Speaking Abject in Kristeva's "Powers of Horror".Thea Harrington - 1998 - Hypatia 13 (1):138-157.
    This essay analyzes the implications of the performative aspects of Julia Kristeva 's Powers of Horror by situating this work in the context of similar aspects of her previous work. This construction and its relationship to abjection are integral components of Kristeva 's notion of practice and as such are fundamental to her critique of Hegel and Freud.
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  • The Speaking Abject in Kristeva's Powers of Horror.Thea Harrington - 1998 - Hypatia 13 (1):138-157.
    This essay analyzes the implications of the performative aspects of Julia Kristeva's Powers of Horror by situating this work in the context of similar aspects of her previous work. This construction and its relationship to abjection are integral components of Kristeva's notion of practice and as such are fundamental to her critique of Hegel and Freud.
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