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  1. Defeating looks.Kathrin Glüer - 2016 - Synthese 195 (7):2985-3012.
    In previous work, I have suggested a doxastic account of perceptual experience according to which experiences form a kind of belief: Beliefs with what I have called “phenomenal” or “looks-content”. I have argued that this account can not only accommodate the intuitive reason providing role of experience, but also its justificatory role. I have also argued that, in general, construing experience and perceptual beliefs, i.e. the beliefs most directly based on experience, as having different contents best accounts for the defeasibility (...)
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  • Does Property-Perception Entail the Content View?Keith A. Wilson - 2022 - Erkenntnis (2).
    Visual perception is widely taken to present properties such as redness, roundness, and so on. This in turn might be thought to give rise to accuracy conditions for experience, and so content, regardless of which metaphysical view of perception one endorses. An influential version of this argument—Susanna Siegel’s ’Argument from Appearing’—aims to establish the existence of content as common ground between representational and relational views of perception. This goes against proponents of ‘austere’ relationalism who deny that content plays a substantive (...)
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  • Exorcising the Myth of the Given: the idea of doxasticism.Refeng Tang - 2022 - Synthese 200 (4):1-32.
    We can distinguish two senses of the Given, the nonconceptual and the non-doxastic. The idea of the nonconceptual Given is the target of Sellars’s severe attack on the Myth of the Given, which paves the way for McDowell’s conceptualism, while the idea of the non-doxastic Given is largely neglected. The main target of the present paper is the non-doxastic Given. I first reject the idea of the nonconceptual Given by debunking the false assumption that there is a systematic relation between (...)
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  • Constancy in Variation : An Argument for Centering the Contents of Experience?Glüer-Pagin Kathrin - unknown
    When you look at a circular plate at an angle, it looks circular. But there also is a certain sense in which its look can be described as oval. When you move, the plate’s look changes with your perspective on it—nevertheless, it continues to look circular. This chapter investigates whether these “constancy in variation” phenomena can be explained in terms of the representational content of visual experience, and whether constancy in variation provides special, phenomenological, reasons to construe experience as having (...)
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