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  1. Michel Henry's phenomenology of aesthetic experience and Husserlian intentionality.Jeremy H. Smith - 2006 - International Journal of Philosophical Studies 14 (2):191-219.
    In Voir l'invisible Michel Henry applies his philosophy of autoaffection (which is both inspired by, and critical of, Husserl) to the realm of aesthetics. Henry claims that autoaffection, as non-objective experience, is essential not only to self-experience, but also to the experience of objects and their qualities. Intentionality tempts us to experience objects merely from the 'outside', but aesthetic experience returns us to the inner life of objects as a lived experience. On the basis of an examination of Henry's aesthetic (...)
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  • Anonymity and personhood: Merleau-Ponty’s account of the subject of perception.Sara Heinämaa - 2015 - Continental Philosophy Review 48 (2):123-142.
    Several commentators have argued that with his concept of anonymity Merleau-Ponty breaks away from classical Husserlian phenomenology that is methodologically tied to the first person perspective. Many contemporary commentators see Merleau-Ponty’s discourse on anonymity as a break away from Husserl’s framework that is seen as hopelessly subjectivistic and solipsistic. Some judge and reproach it as a disastrous misunderstanding that leads to a confusion of philosophical and empirical concerns. Both parties agree that Merleau-Ponty’s concepts of anonymity mark a divergence from classical (...)
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  • Edmund Husserl: Grenzprobleme der Phänomenologie. Analysen des Unbewusstseins und der Instinkte. Metaphysik. Späte Ethik. Texte aus dem Nachlass . Husserliana XLII. Rochus Sowa and Thomas Vongehr : Springer, Dordrecht/heidelberg/new York/london, 2014, CXV pp. and 665 pp. $ 239 . ISBN: 978-94-007-5813-1. [REVIEW]James G. Hart - 2015 - Husserl Studies 31 (3):245-260.
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