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  1. The Unexpected Guests: Patterns of Xenia in Callimachus' ‘Victoria Berenices’ and Petronius' Satyricon.Patricia A. Rosenmeyer - 1991 - Classical Quarterly 41 (2):403-413.
    Much of the fascination that Petronius' Satyricon holds for its readers originates in the work's gleeful violation of traditional categories of classical genres. Critical terminology makes explicit the issue of unconventionality, as it is reduced to the neutral word ‘work’ in describing the Satyricon, which, as far as we can tell, belongs to no single category, but appropriates elements from many sources in both poetry and prose. Perhaps if we had more evidence with which to compare the work, such as (...)
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  • P. Oxy. 2463: Lycophron and Callimachus.Enrico Livrea - 1989 - Classical Quarterly 39 (1):141-147.
    The present paper concludes that P. Oxy. 2463 contains remnants of a commentary on the Aitia of Callimachus. Identifying the commentary makes it possible to reconstruct the missing part of Heracles' conversation with Molorchus, confirming its place in the Victoria Berenices and settling the latter's relationship to the Aitia. The argument takes its departure from a vexed passage in Lycophron.
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  • A Cold Reception in Callimachus' Victoria Berenices.Patricia Rosenmeyer - 1993 - Classical Quarterly 43 (1):206-214.
    Callimachus' Victoria Berenices has received a good deal of scholarly attention since its first publication in 1976, both from textual critics, attempting to clarify uncertain readings, and from specialists in Latin poetry, eager to trace allusions to Callimachus in Vergil, Statius, or Ovid. While the search for Callimachean influence on the later texts has proved quite fruitful, it opens up the possibility of reading certain issues inappropriately backwards into the Hellenistic material. The discovery of parallels may lead to an assumption (...)
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