A group of seven short late Old Babylonian texts, written in Akkadian, found in the early twentieth century in a grave in Susa, form the focus of this paper. The texts, which have attracted much scholarly attention since their publication in 1916 by Jean-Vincent Scheil, have until now not been collated. They are presented here with improved readings, a new translation, and extensive commentary. The mention in two of the texts of an alleged chthonic “weigher” is philologically disproved: psychostasia, the (...) weighing of souls, did not exist in ancient Mesopotamian religion. The suggestion of some scholars that these Old Babylonian Akkadian texts are witnesses to Elamite, or even Iranian, belief in the weighing of souls is methodically refuted. The nature of the seven so-called Susa Funerary Texts is discussed, demonstrating their close contacts to two other well-known Mesopotamian genres—personal prayers and reports of oracular or prophetic visions. Finally, the question of their unusual find spot, viz., in a grave, is discussed and the possibility raised that this peculiar location is a result of the texts’ magical function. (shrink)

Much of the surviving text of the Epic of Etana tells the story of an eagle and a snake. The eagle and snake are extraordinary creatures, and their story abounds with mythological subtext. This paper argues that the Neo-Assyrian recension of Etana was amended to include explicit references to the eagle and the snake by the names of their mythological counterparts, anzû and bašmu. These references occur in two analogous contexts and serve the same narrative purpose: to dehumanize the other (...) when the eagle and the snake seek to do each other harm. The deliberate character of these changes and their symmetry suggest that they are the product of a conscientious scribe with a developed literary sensibility. (shrink)

BM 76829, a fragment from the mid-section of a small tablet from Sippar in Late Babylonian script, preserves what remains of two new unparalleled pieces from the cuneiform astronomical repertoire relating to the zodiac. The text on the obverse assigns numerical values to sectors assigned to zodiacal signs, while the text on the reverse seems to relate zodiacal signs with specific days or intervals of days. The system used on the obverse also presents a new way of representing the concept (...) of numerical ‘zero’ in cuneiform, and for the first time in cuneiform, a system for dividing the horizon into six arcs in the east and six arcs in the west akin to that used in the Astronomical Book of Enoch. Both the obverse and the reverse may describe the periodical courses of the sun and moon, in a similar way to what is found in astronomical texts from Qumran, thus adding to our knowledge of the scientific relationship between the two cultures. (shrink)

Herodotus uses the encounter between the Milesian tyrant Aristagoras and the Spartan king Cleomenes to further his authorial self-presentation. He contrasts his own aims and methods as an inquirer with those of Aristagoras, who becomes a “rival” inquirer for Herodotus in this passage. Seeking military aid from Cleomenes for the Ionian Revolt, Aristagoras points to his bronze map of the world and gives an ethnographical and geographical account of the peoples and land of Asia, from Ionia to Susa. Aristagoras accordingly (...) takes on many of the characteristics of Herodotus himself, including the use of shared ethnographical language. Aristagoras' ethnographical account is marred, however, by a rhetorical strategy that depicts the Asians as wealthy, but weak adversaries. While careful not to criticize Aristagoras' map itself, Herodotus is able to exploit Aristagoras' verbal description of his map to illustrate his own forthcoming account of the Persian Royal Road , which Herodotus assures readers is even more “accurate” than Aristagoras' account had been . Aristagoras is “deceiving” Cleomenes “well,” says Herodotus, until he tells the “truth” about the length of the journey to Susa . Telling the truth is a mistake for the deceiver Aristagoras, but an obligation for the inquirer Herodotus. (shrink)

The desire to fly is a recurrent theme in human civilizations. This fascination has led to the achievement of heavier-than-air flight in modern times and possibly in ancient history as well. Oral traditions and ancient manuscripts from around the world contain many detailed references to flying machines of various types. Many different artifacts, recovered in the course of normal archaeological excavations, also display many mechanical and aerodynamic features. The worldwide distribution of these artifacts, written manuscripts, and traditions suggests that some (...) civilizations perhaps developed, or were about to develop, flying machines. Thus, fascination and attempts with flight seem to be a recurring theme for the human species. Keywords: aircraft—flight—vimanas—ancient aviation—SETI—advanced technology. (shrink)

This paper argues that efforts to understand historically remote patterns of thought are driven away from their original meaning if the investigation focuses on reconstruction of concepts , instead of cognitive ‘complexes’. My paper draws on research by Jan Assmann, Jean-Jacques Glassner, Keimpe Algra, Alex Purves, Nicholas Wyatt, and others on the cultures of Ancient Greece, Israel, Egypt, Mesopotamia, and Etruria through comparative analyses of the semantic fields of spatial and temporal terms, and how these terms are shaped by their (...) relation to the sphere of the sacred. It shows that there are three super-ordinate timeframes - the cyclical, the linear and the static - each of which is composed of lower-order cycles (days, lunar months, and seasons). These timeframes reflect their cultures’ ideas about the nature, scope and power of the gods, and structure the common point-of-view about the present, the past and eternity. There are also super-ordinate spatial frames which reflect their cultures’ ideas about the heavens and which structure both the sacred precinct and the profane field of action and exchange. Close analysis of texts that use words such as eternity, forever, past, present, and future, for example, do not reveal that there is anything like a general abstract concept of time in virtue of which some thing or event can be said to be in time or to have its own time. Archaic patterns of thought do not differ from our “ modern ” patterns in having different concepts, but in not having anything like concepts at all. (shrink)