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  1. The Implicit Affection Between Kantian Judgment and Aristotelian Rhetoric.Joseph Tinguely - 2015 - Philosophy and Rhetoric 48 (1):1-25.
    Recent scholarship on Kant and rhetoric suggests an inclusive relation between affectivity and cognitive judgment, but that position runs counter to a traditional philosophical opposition between sensibility and rationality. A way to overcome this opposition comes into view in the overlap in three significant areas between Kantian judgment and Aristotelian rhetoric. First, each allows that communicative capacities operate within the way a perceptual object or scene appears in the first place. Secondly, each significantly broadens such communicative capacities so as to (...)
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  • Kant on the Power and Limits of Pathos: Toward a "Critique of Poetic Rhetoric".Samuel Stoner - 2017 - Philosophy and Rhetoric 50 (1):73-95.
    Upon first encountering Immanuel Kant’s 1766 essay Dreams of a Spirit-Seer Elucidated by Dreams of Metaphysics, one is immediately struck by its literary style. Indeed, Dreams constitutes a unique moment in Kant’s literary development—never before had he thrown himself with such fervor into the attempt to express his thoughts in a provocative manner, and never again would he indulge his poetic tendencies with such reckless abandon. Unsurprisingly, then, Kant’s poetic rhetoric in Dreams has long puzzled readers. Immediately following the essay’s (...)
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  • Heidegger and the Aesthetics of Rhetoric.Joshua Reeves & Ethan Stoneman - 2014 - Philosophy and Rhetoric 47 (2):137-157.
    But that which remains the poets have founded.In contemporary rhetorical theory, the relationship between rhetoric and art tends to be articulated in terms of aesthetics. This increasingly popular discourse on “aesthetic rhetoric,” however, is characterized by a remarkable diversity. The rhetoric of fiction, poetry, and other literary genres, for example, has been explored in these terms (e.g., Booth 1983), as has the rhetoric of film (Haskins 2003), photography (Hariman and Lucaites 2007), and even natural landscapes (Clark 2004). From a different (...)
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