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  1. Classical reception studies: from philosophical texts to applied Classics.Vitalii Turenko - 2020 - Filosofska Dumka (Philosophical Thought) 2:37-45.
    The author analyzes the role and significance of the new scientific area within the Ancient philosophy studies, named Classical Reception Studies. This area manifests itself as a reconceptualization of Antic Studies and therefore is as an interdisciplinary field, which focuses on the study of the receptions of Antiquity. This area is specific in its sphere of interest – not only philosophical heritage of a certain period, but also literary, historical and other sources. Such aspect of classical reception studies are important (...)
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  • “This Remarkable Piece of Antiquity”: Epic Conventions in Shelley’s Oedipus Tyrannus_; _or, Swellfoot the Tyrant.Michael J. Neth - 2019 - The European Legacy 24 (3):396-422.
    Shelley’s Swellfoot the Tyrant has recently begun to gain the concerted attention of critics, who have noted the play’s signature blend of low and high, of ephemeral, late Regency politics with the classic genres of Sophoclean tragedy, Aristophanic comedy, and mock epic. But Austin Warren’s famous and widely accepted definition of mock epic as “not mockery of the epic but elegantly affectionate homage, offered by a writer who finds [the serious epic] irrelevant to his age” does not describe Shelley’s earnest (...)
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  • Ecos de la novela griega en el Renacimiento.Lourdes Rojas Álvarez - 2012 - Synthesis (la Plata) 19:00-00.
    La novela griega, género polifacético de ficción en prosa, que floreció del siglo I al IV d.C., tuvo su continuación en la literatura bizantina. La trascendencia de la novela llegó al Renacimiento con Longo y su Dafnis y Cloe, que influenció obras como la Arcadia de Sanazzaro, en Italia, o la Diana, de Jorge de Montemayor, en España; y tuvo cierto influjo en la Galatea de Cervantes e incluso en El Quijote. También la Arcadia de Sidney es tributaria del tema (...)
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