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  1. Rethinking Autonomism: Beauty in a World of Moral Anarchy.Adriana Clavel‐Vazquez - 2018 - Philosophy Compass 13 (7):e12501.
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  • Strategies of Deception: Under‐Informativity, Uninformativity, and Lies—Misleading With Different Kinds of Implicature.Michael Franke, Giulio Dulcinati & Nausicaa Pouscoulous - 2020 - Topics in Cognitive Science 12 (2):583-607.
  • Sexual Consent and Lying About One’s Self.Jennifer Matey - 2019 - Philosophy and Phenomenological Research 102 (2):380-400.
    Philosophy and Phenomenological Research, EarlyView. Despite the acknowledgement of the moral significance of consent there is still much work to be done in determining which specific sexual encounters count as unproblematically consensual. This paper focuses on the impact of deception. It takes up the specific case of deception about one's self. It may seem obvious that one ought not to lie to a sexual partner about who one is, but determining which features of oneself are most relevant, as well as (...)
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  • Is a Kantian Musical Formalism Possible?Thomas J. Mulherin - 2016 - Journal of Aesthetics and Art Criticism 74 (1):35-46.
    In this article, I consider whether a suitably stripped-down version of Kant's aesthetic theory could nevertheless provide philosophical foundations for musical formalism. I begin by distinguishing between formalism as a view about the nature of music and formalism as an approach to music criticism, arguing that Kant's aesthetics only rules out the former. Then, using an example from the work of musicologist and composer Edward T. Cone, I isolate the characteristics of formalist music criticism. With this characterization in mind, I (...)
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