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  1. Jazz, the Wound: Negative Identity, Culture, and the Problem of Weak Subjectivity in Theodor Adorno’s Twentieth Century.Eric Oberle - 2016 - Modern Intellectual History 13 (2):357-386.
    This essay addresses the emergence of theories of “identity” in twentieth-century politics, aesthetics, and philosophy by considering Theodor Adorno's understanding of “negative identity” as a form of coercive categorization that nevertheless contains social knowledge. A historical account of the Frankfurt school's relation to questions of race, anti-Semitism, and the idea of culture, the essay analyzes Adorno's infamous jazz articles in light of the transatlantic history of Marxian political theory and its understanding of racism, subject–object relations, and models of cultural production. (...)
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