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  1. Towards a Phenomenological Analysis of Fictional Emotions.Marco Cavallaro - 2019 - Phainomenon. Journal of Phenomenological Philosophy 29:57-81.
    What are fictional emotions and what has phenomenology to say about them? This paper argues that the experience of fictional emotions entails a splitting of the subject between a real and a phantasy ego. The real ego is the ego that imagines something; the phantasy ego is the ego that is necessarily co-posited by any experience of imagining something. Fictional emotions are phantasy emotions of the phantasy ego. The intentional structure of fictional emotions, the nature of their fictional object, as (...)
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  • A Controversy Over the Existence of Fictional Objects: Husserl and Ingarden on Imagination and Fiction.Witold Płotka - forthcoming - Journal of the British Society for Phenomenology:1-22.
    ABSTRACTThis paper explores the structure and elements of the intentional experiences of imagining fictional objects. The author critically examines the argument that whereas Husserl’s theory of imagination cannot do justice to fictional objects, Ingarden’s theory of purely intentional objects provides a basis for the theory of intentionality that explains the status of fictional objects. The paper discusses this argument to show that it is justified only in regard to Husserl’s early account of imagination, and on the condition of understanding contents (...)
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  • Phantasie and Phenomenological Inquiry - Thinking with Edmund Husserl.Andreea Smaranda Aldea - 2012 - Dissertation,
    This dissertation explores and argues for the import of the imagination (Phantasie) in Edmund Husserl's phenomenological method of inquiry. It contends that Husserl's extensive analyses of the imagination influenced how he came to conceive the phenomenological method throughout the main stages of his philosophical career. The work clarifies Husserl's complex method of investigation by considering the role of the imagination in his main methodological apparatuses: the phenomenological, eidetic, and transcendental reductions, and eidetic variation - all of which remained ambiguous despite (...)
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  • El dolor y la imaginación, dos vivencias en los límites de la conciencia.Pau Pedragosa - 2019 - Isegoría 60:189.
    Desarrollamos un análisis comparativo de las vivencias del dolor físico y de la imaginación desde la perspectiva fenomenológica. Partimos de la hipótesis de que ambas vivencias forman los estados límite de la vida consciente. Nuestro objetivo es mostrar las características esenciales de dichas vivencias y para ello seguimos los textos más relevantes de la tradición fenomenológica, especialmente los de Husserl y Sartre. Los de Husserl dedicados al cuerpo vivido y a las sensaciones táctiles, por un lado, y los dedicados a (...)
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  • Husserl’s Struggle with Mental Images: Imaging and Imagining Reconsidered.Andreea Smaranda Aldea - 2013 - Continental Philosophy Review 46 (3):371-394.
    Husserl’s extensive analyses of image consciousness (Bildbewusstsein) and of the imagination (Phantasie) offer insightful and detailed structural explications. However, despite this careful work, Husserl’s discussions fail to overcome the need to rely on a most problematic concept: mental images. The epistemological conundrums triggered by the conceptual framework of mental images are well known—we have only to remember the questions regarding knowledge acquisition that plagued British empiricism. Beyond these problems, however, a plethora of important questions arise from claiming that mental images (...)
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  • Phenomenology as Critique: Teleological–Historical Reflection and Husserl’s Transcendental Eidetics.Andreea Smaranda Aldea - 2016 - Husserl Studies 32 (1):21-46.
    Many have deemed ineluctable the tension between Husserl’s transcendental eidetics and his Crisis method of historical reflection. In this paper, I argue that this tension is an apparent one. I contend that dissolving this tension and showing not only the possibility, but also the necessity of the successful collaboration between these two apparently irreconcilable methods guarantees the very freedom of inquiry Husserl so emphatically stressed. To make this case, I draw from Husserl’s synthetic analyses of type and concept constitution as (...)
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  • Vaizduotės Autonomija Ir Estetinė Partirtis.Dalius Jonkus - 2016 - Problemos 90:103-114.
    Straipsnyje analizuojamos moderniosios vaizduotės sampratos transformacijos fenomenologinėse Edwardo Casey, Mikelio Dufrenne’o ir Vosyliaus Sezemano koncepcijose. Straipsnio tikslas – parodyti, kad estetinėje patirtyje akivaizdžiai atsiskleidžia kūniškas vaizduotės pobūdis. Casey kritikuoja Dufrenne’o bandymą vaizduotę susieti su estetine raiška. Jis pabrėžia vaizduotės autonomiją, tačiau tokiu atveju lieka neaiškus vaizduotės ir suvokimo santykis. Dufrenne’o ir Sezemano pozicija vaizduotės klausimu iš dalies sutampa. Abu jie teigia, kad vaizduotė yra ne produktyvi, bet reproduktyvi ta prasme, kad ji yra apribota materialinio a priori formomis. Kitaip sakant, estetinė (...)
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  • Husserlian Phenomenology as a Kind of Introspection.Christopher Gutland - 2018 - Frontiers in Psychology 9.
  • On the Nature and Systematic Role of Evidence: Husserl as a Proponent of Mentalist Evidentialism?Philipp Berghofer - 2019 - European Journal of Philosophy 27 (1):98-117.
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  • Belief and its Neutralization: Husserl's System of Phenomenology in Ideas I. [REVIEW]Julia Jansen - 2006 - Husserl Studies 22 (1):77-89.