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Questions to Luce Irigaray

Hypatia 11 (2):122 - 140 (1996)

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  1. Coming Together: The Six Modes of Irigarayan Eros.Christopher Cohoon - 2011 - Hypatia 26 (3):478-496.
    Luce Irigaray's provocative vision of eros is often expressed in what Elizabeth Grosz calls “rambling and apparently disconnected” language, and nowhere in Irigaray's texts is it presented as a coherent account. With the goal of elaborating the significance of Irigaray's vision, I here set out to construct such an account. After first defining the Irigarayan erotic encounter as a paradoxical conjunction of “separation and alliance,” I then aim to show that its structure may be productively interpreted in terms of six (...)
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  • The Flesh of All That Is: Merleau-Ponty, Irigaray, and Julian's 'Showings'.Diane Antonio - 2001 - Sophia 40 (2):47-65.
    Julian of Norwich (b. 1342) anticipated the ontological and epistemological work on sexed embodiment pioneered in the work of Merleau-Ponty and Irigaray in the 20th century. Her epistemology of sensual ‘showings’ helped reconfigure women’s embodiment and speech acts (‘bodytalk’): by recognizing cognitive emotions and the knowledge-producing body; and by envisioning the intertwining of human flesh with All That Is. The paper next examines Merleau-Ponty’s somatic discourse on the chiasmic flesh, which leads to a discussion of Irigaray’s work on poetic mimesis.
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  • Poetic Nuptials.Judith Still - 2002 - Paragraph 25 (3):7-21.
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  • Tracing Sexual Difference: Beyond the Aporia of the Other. [REVIEW]Pamela Sue Anderson - 1999 - Sophia 38 (1):54-73.