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The Musical Structure of Plato's Dialogues

Acumen Publishing (2011)

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  1. Harmony Between Arkhē and Telos in Patristic Platonism and the Imagery of Astronomical Harmony Applied to Apokatastasis 1.Ilaria Ramelli - 2013 - International Journal of the Platonic Tradition 7 (1):1-49.
    This study investigates the idea of harmony as a protological and eschatological principle in three outstanding Patristic philosophers, well steeped in the Platonic tradition: Origen, Gregory Nyssen, and Evagrius. All of them attached an extraordinary importance to harmony, homonoia, and unity in the arkhē and, even more, in the telos. This ideal is opposed to the disagreement/dispersion of rational creatures’ acts of volition after their fall and before the eventual apokatastasis. These Christian Platonists are among the strongest supporters of the (...)
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  • Rhythm in Social Interaction – Introduction.Chiara Bassetti & Emanuele Bottazzi - forthcoming - Rhuthmos.
    This text is the introduction of the special issue “Rhythm in social interaction” edited by Chiara Bassetti and Emanuele Bottazzi in Etnografia e Ricerca Qualitativa, vol. 8, n. 3, December 2015. We thank Chiara Bassetti, Emanuele Bottazzi and the journal Etnografia e Ricerca Qualitativa for the permission to republish it. But, friend, when you grasp the number and nature of the intervals of sound, from high to low, and the boundaries of those intervals, and how many scales arise from them, (...)
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  • On the Inauthenticity of the Critias.Marwan Rashed & Thomas Auffret - 2017 - Phronesis 62 (3):237-254.
    In this paper, we highlight a number of difficulties concerning the relationship between theCritiasand theTimaeus, notably a contradiction betweenTimaeus27a-b andCritias108a-c. On this basis we argue that theCritiasmust be considered spurious.
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  • Desire and Reason in Plato's Republic.Hendrik Lorenz - 2004 - Oxford Studies in Ancient Philosophy 27:83-116.