ArgumentKeeping records has always been an essential part of science. Aside from natural history and the laboratory sciences, no other observational science reflects this activity of record-keeping better than astronomy. Central to this activity, historically speaking, are tools so mundane and common that they are easily overlooked; namely, the notebook and the pencil. One obvious function of these tools is clearly a mnemonic one. However, there are other relevant functions of paperwork that often go unnoticed. Among these, I argue, is (...) the strategic use made of different procedures of record keeping to prolong observational time with a target object. Highlighting this function will help us to appreciate the supporting role played by the notebook and the pencil to extend the observational time spent with a target object. With objects as delicate, faint, and mysterious as the nebulae, the procedures used to record their observations helped nineteenth-century observers overcome the temporal handicaps and limitations of large and clumsy telescopes, mounted in the altazimuth manner. To demonstrate the importance of paper and pencil, I will closely examine the observing books, the drawings found therein, and the telescopes of three nineteenth-century observers of the nebulae: Sir John F. W. Herschel, Lord Rosse, and William Lassell. (shrink)

The collaborative ‹Big Science’ approach prevalent in physics during the mid- and late-20th century is becoming more common in the life sciences. Often computationally mediated, these collaborations challenge researchers’ trust practices. Focusing on the visualisations that are often at the heart of this form of scientific practice, the paper proposes that the aesthetic aspects of these visualisations are themselves a way of securing trust. Kant’s account of aesthetic judgements in the Third Critique is drawn upon in order to show that (...) the image-building capability of imagination, and the sensus communis, both of which are integral parts of aesthetic experience, play an important role in building and sustaining community in these forms of science. Kant’s theory shows that the aesthetic appeal of scientific visualisations is not isolated from two other dimensions of the visualisations: the cognitive-epistemic, aesthetic-stylistic and interpersonal dimensions, and that in virtue of these inter-relationships, visualisations contribute to building up the intersubjectively shared framework of agreement which is basic for trust. (shrink)