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  1. Sacrifice, Violence and the Limits of Moral Representation in Haneke's Caché.Camil Ungureanu - 2014 - Angelaki 19 (4):51-63.
    :This article revisits Michael Haneke's Caché as a filmic transformation of the traditional bond between sacrificial violence, morality and community building. By drawing mainly on striking correspondences with Jacques Derrida's view of the “mystical” origin of authority and of the limits of moral representation, the article aims to probe into Haneke's strategies of concealment. In so doing, the article proposes a “postsecular” interpretation of the symbolic meaning of the enigmas of the “ghost director” within the film, and of Majid's theatrical (...)
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  • Left Bank Cinema: Memories of History and the Experience of Time.V. G. Bijoy Philip - 2019 - Tattva - Journal of Philosophy 11 (1):1-18.
    In this paper, I use two films—Les Statues MeurrentAussi directed by Resnais and Marker and Sans Soleil as representatives of Left Bank cinema to show how they construct experiences of time and memory using various modernist strategies. Key to this is the use of a mental journey genre in modernist cinema and the construction of a facial dispositif which leads to a perceptual experiencing of inner states. Les Statues MeurrentAussi is a key film in the history of French cinema as (...)
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