In many of his writings, Castoriadis argues that ‘the discovery of the imagination’ occurs in the works of Aristotle, Kant, Fichte, Freud, Heidegger and Merleau-Ponty. Although he has systematically encountered and interrogated the works of Aristotle, Kant, Freud, and Merleau-Ponty, the work of Fichte remains an enigmatic absence within the orbit of Castoriadis' work. This study is an attempt to address this enigma through a close reading of Fichte’s The Science of Knowledge.

This paper examines Castoriadis’ concept of time as ontological creation in relation to the activation of the project of autonomy. We argue that since Castoriadis presents as a practitioner of the creation of time as radical autonomous thinking, this is the standpoint from which to assess his claims. Through an examination of Castoriadis’ claim that the practice of autonomy depends upon it being activated by a willing singularity who accepts the Chaos of society and of the world, we argue that (...) Castoriadis’ position presupposes an effective contrast between the autonomy of significance that he advocates and the heteronomy of insignificance that he laments. If, as we suggest, both these orientations accept the Groundlessness of the world, then Castoriadis’ appeal to the awareness of a willing singularity is not sufficient to distinguish the practice of radical autonomy. To this extent, his elucidation of the radical imaginary time of ontological creation remains incomplete. (shrink)

Castoriadis’s radical ontology of indeterminacy postulates a third term between the complete determinacy of the traditional conception of being and the absolute indeterminacy of the traditional conception of nothingness. Castoriadis himself made considerable efforts to demonstrate how ontological conceptions which equate being with determinacy fail to grasp the reality of being in all ontological regions and contexts. He did somewhat less in regard to the opposite pole of the ontological dichotomy, the identification of indeterminacy with nothingness, though he certainly recognized (...) this identification as equally suspect.This article examines the use and interpretation of the concept of nothingness in two of the most important and exemplary employments of this concept in twentieth century philosophy. Nothingness is a key concept for both Heidegger and Sartre, however they may differ in regards to its meaning and significance. In both, the concept of nothingness disguises indeterminate modes of being which both perceive but which they refuse to accord the status of being, preferring instead the stark and absolute opposition between being, which continues to be understood in traditional terms as determinacy, and nothingness, a catch-all category which absorbs and homogenizes anything falling short of the absolute determinacy predicated of true being. (shrink)

The concept of autonomy as presented in the works of Cornelius Castoriadis offers the possibility of expressing the core aims of a radical politics in a manner divorced from a discredited Marxist or communist past. The concept occasions ongoing debate about its true meaning as well as its implications and consequences. Some people question the value and viability of autonomy as a political aim. This article attempts to elucidate and defend what I see as the central meanings and implications of (...) the concept of autonomy, particularly in its political dimension. The concept of autonomy is considered in its relationship to the ideas of project, self-limitation, and democracy, and the socialist tradition. (shrink)

Despite its ground-breaking character, Castoriadis’s theory of society remains, in some respects, caught up in conceptual difficulties common to social theory generally, particularly the problem of conceptualizing social unity without resort to an understanding of society that downplays heterogeneity and over-emphasizes the homogeneous. Unlike many other theoretical approaches and traditions, Castoriadis’s work also offers a possible path out of this dilemma in the form of philosophical innovations which could enable us to conceptualize social unity without flattening the heterogeneous characteristics of (...) the social. Castoriadis sometimes fails to recognize the full implications of his own rejection of ontological determinism, and so ends up proposing a far too deterministic and homogeneous model of social types. This essay aims to show how this might be remedied by drawing on Castoriadis’s own fundamental insights. (shrink)

The work of Herbert Marcuse, unlike that of certain of his colleagues at the Institut für Sozialforschung, is most often maligned as being excessively positive and identitarian. His work on Freud, for example, is criticized for being grounded in a crude biological determinism which points towards an ultimate reconciliation of both psychic and social conflict. This essay will attempt to counter such readings by critically juxtaposing Marcuse’s concept of non-repressive sublimation with Cornelius Castoriadis’s understanding of psychic socialization. It will be (...) suggested that the affinities between Marcuse and Castoriadis’s appropriations of Freudian metapsychology reveals the degree to which the former can be read as a radical democratic thinker affirming the values of autonomy and creativity. This reading demonstrates that Marcuse has much to contribute to contemporary debates on the role of the aesthetic and the sensuous in democratic theory. (shrink)

This paper argues that twentieth-century philosopher Cornelius Castoriadis’ innovative concept of imagination is closely related to his treatments of dance. More specifically, it revolves around his concept of “figure,” which thereby suggests a productive partnership with my own philosophy of dance, which I call “Figuration.” The first and second sections below review the interpretations of Castoriadis’ imagination in the two book manuscripts on him in English, Jeff Klooger’s Psyche, Society Autonomy (which supplements Castoriadis with Fichte) and Suzi Adams’ Castoriadis’ Ontology (...) (which supplements him with hermeneutics). My final section defends Castoriadis against these two critical supplements through a close reading of his magnum opus, The Imaginary Institution of Society. There I re-choreograph Castoriadis’ use of the Freudian concept of “leaning on” (Anlehnung, from the Greek anaclisis) as “bending back” (anaclasis, following Klooger’s misspelling of anaclisis). In short, the imagination is like a dancer, bending back to nature understood as “the region which resists” (to varying degrees) the social. (shrink)