In the Timaeus, Plato’s Timaeus offers an account of the sensible world in terms of “images” of forms. Often, images are taken to be particulars: either objects or particular property instances (tropes). Contrary to this trend, I argue that images are general characteristics which are immanent in the receptacle, or bundles of such characteristics. Thus, the entire sensible world can be analysed in terms of immanent general characteristics, the receptacle, and forms. Hence, for Timaeus, fundamentally, there are no sensible particulars. (...) I end by arguing that my interpretation is compatible with Timaeus’ construction of sensible entities from triangles. (shrink)

The aim of this paper is to introduce the concept of the mirror as a methodological tool, with which Plato discusses reflection and describes the mimetic phenomena. The notion of the mirror first presents Plato’s view on the metaphysical division of the world. It then accounts for Plato’s hostility towards the poets and reveals that the ideal polis is the product of a special kind of philosophical mimesis. I argue that Plato’s own mirror is the dialogues he writes, and the (...) perfection of his mimetic activity is juxtaposed to the hazardous imitations of the poets. (shrink)