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  1. From Beethoven to Bowie: Identity Framing, Social Justice and the Sound of Law.Julia J. A. Shaw - 2018 - International Journal for the Semiotics of Law - Revue Internationale de Sémiotique Juridique 31 (2):301-324.
    Music is an inescapable part of social, cultural and political life, and has played a powerful role in mobilising support for popular movements demanding social justice. The impact of David Bowie, Prince and Bob Dylan, for example, on diversity awareness and legislative reform relating to sexuality, gender and racial equality respectively is still felt; with the latter receiving a Nobel Prize in 2016 for ‘having created new poetic expressions within the great American song tradition’. The influence of these composers and (...)
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  • Conflicting Codes and Codings.Marc Lenglet - 2011 - Theory, Culture and Society 28 (6):44-66.
    Contemporary financial markets have recently witnessed a sea change with the ‘algorithmic revolution’, as trading automats are used to ease the execution sequences and reduce market impact. Being constantly monitored, they take an active part in the shaping of markets, and sometimes generate crises when ‘they mess up’ or when they entail situations where traders cannot go backwards. Algorithms are software codes coding practices in an IT significant ‘textual’ device, designed to replicate trading patterns. To be accepted, however, they need (...)
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  • Human – The Final Frontier. Biotechnology of (Dis)Creation and Arrival of Posthuman.Krunoslav Nikodem - 2008 - Filozofska Istrazivanja 28 (1):209-221.
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  • Interfacing the Environment:Networked Screens and the Ethics of Visual Consumption.Kirsty Best - 2004 - Ethics and the Environment 9 (2):65-85.
    The screen continues to be the primary generator of visual imagery in contemporary culture, including of the natural world. This paper examines the screen as visual interface in the construction and consumption of physical environments. Screens are increasingly incorporated in our daily habits and imbricated into our lives, especially as mediating technologies are embedded into the surfaces of our physical surroundings, shaping and molding our interactions with and perceptions of those environments. As screens become increasingly portable and digitized, they further (...)
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  • Interfacing the Environment: Networked Screens and the Ethics of Visual Consumption.Kirsty Best - 2004 - Ethics and the Environment 9 (2):65-85.
    : The screen continues to be the primary generator of visual imagery in contemporary culture, including of the natural world. This paper examines the screen as visual interface in the construction and consumption of physical environments. Screens are increasingly incorporated in our daily habits and imbricated into our lives, especially as mediating technologies are embedded into the surfaces of our physical surroundings, shaping and molding our interactions with and perceptions of those environments. As screens become increasingly portable and digitized, they (...)
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