This article inquires into a paradoxical position held by the concept of ‘nature’ in Derrida's thought. While a pivotal part of his project of deconstruction is devoted to a critique of the metaphysical privileging of nature over its others (technics, culture, and so on), the same project also aims at dismantling the hierarchical binary opposition of man/animal. Insofar as the term ‘animal’ or ‘animality’ to a large extent overlaps with nature, these two strands of his thought appear to stand in (...) a significant tension with each other. I explore this conceptual tension by re-examining Derrida's early critique of the notion of nature – specifically in his reading of Rousseau – in conjunction with his later engagement with the question of animality. As my reading shows, deviating from his early approach, his later work indicates the way in which animal others (and, by extension, all living and non-living others) are indeed constituted by supplementarity and yet, in their irreplaceable singularity, exceed the very structure of supplementarity. This opens up a new way of conceiving nature, no longer as originary presence nor simply as an effect of supplementary play, but in terms of the aporetic relation between supplementarity and what may be termed ‘the unsupplementable’. (shrink)

This article is a review of Tom Tyler’s CIFERAE: A Bestiary in Five Fingers, a timely and crucial contribution to critical animal studies scholarship. CIFERAE is a remarkable and careful analysis of epistemological anthropocentrism – in particular, what Tyler calls a “first-and-foremost anthropocentrism” - and the ways in which animals ‘figure’ in the history of Western thought. Moreover, the text prompts a critique of ‘the human’ and the formation of the ‘we.’ As such, Tyler’s philosophical investigation or bestiary pertains not (...) only to theories of knowledge, but holds significant ethical and political implications. (shrink)

Résumé La « question de l’animal » est au cœur des débats contemporains sur la subjectivité moderne et sa déconstruction. En prenant pour point de départ les références de Jacques Derrida à la plaidoirie de Montaigne pour les animaux de l’« Apologie de Raimond Sebond », nous tentons de montrer les différences de fond qui opposent les projets des deux penseurs. Pour Derrida, l’animal se présente au sujet humain comme une figure de l’altérité radicale, interdisant toute tentative d’établir une continuité (...) homogène. Tout en mettant le rationaliste dogmatiste au défi de connaître les « ressorts internes » qui animent les animaux, Montaigne souligne aussi l’homogénéité des comportements animaux et humains et la parenté qui les unit, tous deux étant assujettis, quoique sous des modalités différentes, à une même nature. L’animal représente enfin, selon Montaigne, un modèle pour l’homme, celui d’une appropriation à soi et à sa condition corporelle. (shrink)

For Derrida, the ‘‘as if’’, as a regulative principle directly appropriated and modified from its Kantian context, becomes the central lynchpin for understanding, not only Derrida's philosophical system as a whole, but also his numerous seemingly enigmatic references to his ‘‘jewishness’’. Through an analysis of the function of the ‘‘as if’’ within the history of thought, from Greek tragedy to the poetry of Wallace Stevens, I hope to show how Derrida can only appropriate his Judaic roots as an act of (...) mourning that seeks to render the lost object as present, ‘‘as if’’ it were incorporated by the subject for whom this act nevertheless remains an impossibility. As Derrida discerns within the poetry of Paul Celan, bringing a sense of presence/presentness to our experiences, and as a confirmation of the subject which the human being struggles to assert, is the poetic task par excellence. It is seemingly also, if Derrida is to be understood on this point, the only option left to a humanity wherein poetry comes to express what religious formulations can no longer justify. (shrink)

This article focuses on Michel Foucault’s concepts of authorship and power. Jacques Derrida has often been accused of being more of a literary author than a philosopher or political theorist. Richard Rorty complains that Derrida’s views on politics are not pragmatic enough; he sees Derrida’s later work, including his political work, more as a “private self-fashioning” than concrete political thinking aimed at devising short-term solutions to problems here and now. Employing Foucault’s work around authorship and the origins of power, I (...) show that Derrida is indeed fashioning himself. This self-fashioning is not merely private or fanciful. Rather, I argue that Derrida can be read as employing what Foucault would call “technologies of the self” to not only show the play of possibility and impossibility at work in all politics and thought, but also to use his savoir to create two important and potentially constructive power structures. First, there is the power of deconstruction itself as a “militant critique” that calls for a forceful and irreducible justice. Second, there is the power of Derrida himself, understood as leaving behind a legacy of himself as the “originator” of deconstruction and as a public intellectual. (shrink)

Jacques Derrida's The Animal That Therefore I Am (2008) presents a sustained reflection on a concept of ‘the animal’ that has underpinned the work of much of the philosophical tradition. Based on a series of lectures originally presented in 1997 Derrida's speculation on the question of the animal was thus written at a time when Derrida's thought was often turned to the motif of ‘to-come’ (see Derrida 1992; 1994) such that one may wonder at the apparent evasion, both in Derrida's (...) text and in its subsequent review, of the chance to think the two themes together, in the guise of ‘the animal-to-come’. Picking up on Derrida's asides on the verb ‘to follow’, this discussion considers what it might mean to follow, ‘methodically’ perhaps, the thought of ‘the animal-to-come’? What problems might it help to bring into focus and what forces and lineages may yet bear upon its very thought? And where in our thinking goes the animal if it is to remain always to come? (shrink)

In this paper, I critically develop the Jain concept of nonharm as a feminist philosophical concept that calls for a change in our relation to living beings, specifically to animals. I build on the work of Josephine Donovan, Carol J. Adams, Jacques Derrida, Kelly Oliver, and Lori Gruen to argue for a change from an ethic of care and dialogue to an ethic of carefulness and nonpossession. I expand these discussions by considering the Jain philosophy of nonharm in relation to (...) feminist and other theories that advocate noneating of animals, “humane killing,” and “less harm.” Finally, I propose that a feminist appropriation of the Jain concept of nonharm helps us develop a feminist ethic of nonharm to all living beings. (shrink)

En el contexto del debate contemporáneo en torno a la cuestión animal, las filosofías deconstructivas de la subjetividad ofrecen un camino para pensar conceptos que inauguren un pensamiento ético y político de la animalidad. Dado que señalan un camino abierto y diseminado, permiten pensar la cuestión animal desde una perspectiva crítica e históricamente situada. El presente artículo comienza con algunas consideraciones en torno a las relaciones de poder/saber entre humanos y animales, para así proponer ciertas notas que indaguen, a partir (...) de una lectura crítica del régimen carnofalogocéntrico, las posibilidades ético-políticas derivadas de la deconstrucción de la dicotomía humano/animal. (shrink)

Although much has been written about the so-called political, ethical and religious turns in the thinking of Jacques Derrida, few have noticed that his late writings were marked by what we could tentatively call a “zoological turn.” This is surprising given that in The Animal That Therefore I Am Derrida clearly stated that the question as to what distinguishes the human from the animal has for him always been the most important question of philosophy. This essay will attempt to offer (...) a preliminary exploration of this still largely uncharted aspect of Derrida’s thought. Starting from a brief overview of Derrida’s most important writings on the question of the animal, it will be argued that his decision to write an entire book on this issue was largely motivated by his eagerness to settle a discussion with one of his pupils, the French theorist of technology Bernard Stiegler. (shrink)