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  1. Creative rhetoric in Euripides’ Troades: some notes on Hecuba's speech.Ra’Anana Meridor - 2000 - Classical Quarterly 50 (1):16-29.
    Euripides'Troadeswas a work not much studied until the end of World War II. Since then the play, and in particular the part played by Helen and the debate concerning her accountability for her elopement and its consequences, have not ceased to attract scholarly attention. The recent interest in the rhetoric of thisagonhas thrown additional light on the entire scene, the third and last episode of the play. The debate is occasioned by Menelaus’ announcement (873–5) that the men who captured his (...)
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  • The Body as Argument: Helen in Four Greek Texts.Nancy Worman - 1997 - Classical Antiquity 16 (1):151-203.
    Certain Greek texts depict Helen in a manner that connects her elusive body with the elusive maneuvers of the persuasive story. Her too-mobile body signals in these texts the obscurity of agency in the seduction scene and serves as a device for tracking the dynamics of desire. In so doing this body propels poetic narrative and gives structure to persuasive argumentation. Although the female figure in traditional texts is always the object of male representation, in this study I examine a (...)
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