ABSTRACTThis essay considers the nature of mourning and melancholia in light of Patrizio Guzman’s film, Nostalgia for the Light. It examines the position of three women dealing with the aftermath o...

In a series of works from Contre Sainte-Beuve to Le Temps retrouvé, Proust develops an insistently convalescent literary practice, one grounded in a resistance to cure as resolution in health. Reading Proust's writing as a process of subversive self-doctoring, rather than a means to curative rehabilitation, my project argues for a Proustian ‘convalescent athleticism’ as an affirmatively asthmatic variant of Artaud's affective athleticism. In this ‘crip’ literary practice, Proust anticipates, and perhaps even exceeds, both Deleuze's athletic literature as ‘little health’ (...) and the critique, in contemporary disability studies, of the compulsory able-bodiedness that, as Robert McRuer argues, lies at the core of all composition. (shrink)

The article challenges the claim that human rights, which have constituted one of the central tools by which to establish the truth claims of modernity, can produce freedom and meaningful happiness through the acquisition of more rights and more equality. Third World, postcolonial and feminist legal scholars have challenged the accuracy of this claim, amongst others. The critiques expose the discursive operations of human rights as a governance project primarily concerned with ordering the lives of non-European peoples, rather than a (...) liberating force; and that the pre-given rational subject of human rights is contingent and one of the prime effects of power. I examine the problems with the liberal humanism of human rights by examining not only how it is linked to a specific understanding of the `good life’, freedom and happiness, but also how it closes off other emancipatory possibilities. The acquisition of human rights as objects that an individual has by virtue of being human, represent the terminal limits of human rights, rather than the moment when the human subject becomes empowered and liberated. I draw on queer affect theory to make a critique of happiness, to which I argue human rights are linked, and how the failed or unhappy subaltern subject exposes its normative composition. I discuss the resulting depth of the despair produced from the realisation that this political project cannot realise its promise of freedom and meaningful happiness, compelling a `turn away’ from human rights as an emancipatory project and a `turn towards’ other non-liberal philosophical traditions, in the search for alternative understandings of and space for freedom and happiness. I explore these possibilities specifically within the philosophical tradition of non-dualism. (shrink)

Although the ways in which the fields of gender studies, feminist theory and politics have grown and developed in Bosnia and Herzegovina over the last decade are largely unaccounted for in feminist scholarship, their lessons, insights and potentials are relevant for scholarship and politics that weaves through the traumatic knots of postcoloniality and biopolitics. This article looks at the politics of witnessing through a creative approach to losses and the potential politics of hope in such a context. It engages with (...) several lines of inquiry through a dialogue of `local'/`global' feminist and postcolonial theory and practice, through subaltern lenses of transnational feminist solidarities and informed by the lessons of non-institutional public spaces of thinking, judging and acting as instances of vernacular cosmopolitanism in the field of cultural production within Bosnia. Continuously re-emerging postcolonial/biopolitical fractures, induced by the global/local political economy of capital and violence, also produce political (cultural/artistic/public) practices of witnessing which shake and reshuffle our quests for social and political transformation. Embracing them effectively is one of the most important lessons of Bosnian (postcolonial, post-war, post-communist...) ambivalences and forbearances. Such hopeful political navigation through injustices and injuries inflicted by global/local regimes of biopolitics and capital is fundamentally about reinvigorating the scholarship and politics of gender, witnessing, postcoloniality and trauma along creative feminist trajectories. (shrink)

ABSTRACT Ernst Bloch is a philosopher of hope, of this there can be no doubt. It is the fidelity to the proposition that a better world is possible that undergirds Bloch’s work. Yet, the hopeful tenor of Bloch’s philosophy, as I argue here, is accompanied by a second, more subterranean strand: a concern with the phenomenon of disappointment. Bloch has an interest in what happens after hope fails; those moments when the desire for utopia confronts the impossibility of its realisation. (...) By considering Bloch’s philosophical history of the defeat of the chiliastic movements of the medieval moment alongside his ontology of not-yet-being, the claim is made that disappointment has a constitutive role in the philosophy of hope, such that the dream of a new world is mediated through the history of its failures. Hope and disappointment are entangled, the power of the former indexed to the act of confronting the latter. (shrink)

What if depression, in the Americas at least, could be traced to histories of colonialism, genocide, slavery, exclusion, and everyday segregation and isolation that haunt all of our lives, rather than to biochemical imbalances? This article seeks alternatives to the medical model found in most depression memoirs by considering how the epistemological and methodological struggles faced by a scholar of the African diaspora confronted by the absent archive of slavery are relevant to discussions of political depression. Combining scholarly investigation and (...) personal memoir, Saidiya Hartman’s Lose Your Mother exemplifies feminism’s affective turn not only by bringing personal narrative into scholarship, but by seeking reparation for the past in the affective dynamics of cultural memory rather than in legal reform or state recognition. Stubbornly refusing to find solace in an African past before slavery, though, Hartman provides a model of emotional reparation in which feelings of loss and alienation persist. Her work suggests the relevance of political depression to both the ordinary life of racism and to what gets called clinical depression. (shrink)

In this essay I first articulate what I take to be an influential and for the most part persuasive model in the western psychoanalytic tradition that is a response to tragic loss, namely, the one that we find in Freud’s little essay entitled ‘Mourning and Melancholia’ (1917). I then use a well-known Buddhist folk tale about the plight of a young woman named Kisagotami to underscore central elements from Buddhist psychology on the subject of suffering that is a consequence of (...) the loss of a young mother’s only child. Fortified by both traditions, I gather together the ingredients for a cross-cultural mental model that serves to explain and to justify as healthy a specific kind of response to a specific form of suffering, namely, the loss of ones’ loved one. I arrive at this model by asking a number of specific questions of both traditions. For instance, what constitutes a non-pathological response to this kind of suffering? What state of mind represents the cessation of such suffering? Is preoccupation with the dead beloved a way of escaping the fact that the person is dead? Is this a form of ignorance that needs to be removed? Is it a form of moral deficiency? Might certain forms and contexts of ignorance, in effect, put one on a path to enlightenment? (shrink)

Dying serves so often within the narratives of Western popular culture, as an exercise in self-improvement both to the individual dying and to those looking on. It enlightens, ennobles and renders exceptional all those affected by it. Though mainstream cinema's “grammar of dying” is mired in similar myths, film has the potential to do dying differently: it can, instead, connect us, ethically, to the vulnerability of others. The aim of this article is to pursue this potential of film. Using the (...) mainstream grammar of dying as a starting point, I will consider how the moving image, and this ethical potential, is harnessed within two hybrid-media pieces about a loved-one's decline and death: George Saxon's art installation, “A Record of Undying” (2014) and photographer Briony Campbell's short film The Dad Project (2009). While these works will be located within the traditions and transformations of moving image practice, the primary concern here is with how such emotionally resonant pieces navigate our relation to, and responsibility for, our own and others' harsh realities. In this way, the question of ethics is grounded not in the solipsistic circuits of affective modes – whether as the catharsis or betterment of mainstream myths, or what Jane Stadler privileges as the ethical effects of empathy – but in something more inherently, more inevitably, political. (shrink)