This paper situates the critical attitude undergirding Ágnes Heller’s theory of modernity by elucidating her conceptualization of its ‘undialectical dialectics’ relative to the dialectical philosophies of Kant and Hegel. For Heller, the methodological commitments orienting a philosopher’s decision on how to conceptualize the dynamics of modernity are not merely theoretical but also ethico-practical, for they attempt to overcome the duality of life and spirit in the singular personality. For the denizens of contemporary modernity – who recognize contingency inhering in their (...) institutions – and for philosophers – who recognize the fallibility of their theoretical claims – a form of skepticism is warranted. By engaging with the work of György Márkus, Heller attempts to evince a notion of ‘normative skepticism’ that may exhibit both a critical attitude appropriate to conceiving modernity as ‘undialectical dialectics’ and to attenuate for the threat of ‘existential failure’ in the choice of oneself as a philosopher. (shrink)

It is a central claim of György Márkus’s philosophy of culture that the Enlightenment project ended up in deep, apparently irresolvable antinomies. But, unlike the majority of ‘postmodern’ thinkers, Márkus insists that the commitments of the Enlightenment cannot and should not be given up. This tension between the failure of the Enlightenment to produce a society of free and equal persons, each leading their lives autonomously, drawing on the resources of rational high culture, and the impossibility and undesirability of the (...) abandonment of the commitments of the Enlightenment finds an expression in what Márkus calls ‘the antinomies of late modernity’. This paper offers an interpretation of Márkus’s conception; it identifies a certain ambiguity in Márkus’s use of the term ‘antinomies’, and suggests that Márkus’s ambition is compatible with maintaining the first two but is failed by the third one which should, therefore, be abandoned. (shrink)

Recent events have only reinforced the fact that the value of freedom occupies a pre-eminent, but also paradoxical, role in modern societies. Nowhere have the ambiguities and ambivalences of this leading concept been more fully explored than in recent analyses by György Márkus and Axel Honneth. The following paper brings these two theorists together, examining Márkus’s claims for the perplexity that overtakes an investigation of modern freedom against the background of Honneth’s most recent magnum opus. This contrast will provide mutual (...) illumination, allowing us to appreciate both the commonalities and differences in approach and conclusion, but also allowing us to critically contest some of Márkus’s most startling conclusions. (shrink)

This essay diagnoses the condition of contemporary liberal democracies. It assumes that the current crisis of democracy is not the result of an external ideological threat, but it is the result of the lack of a coherent vision of democracy itself. The author recognises that the key symptom of the contemporary crisis is the decreasing involvement of citizens in public life and their growing reluctance to participate in public debate. He claims that the reason for this is the increasing social (...) polarisation. The article considers two forms of polarisation: vertical and horizontal. The first form is illustrated by Colin Crouch’s considerations, while the second one by Fareed Zakaria’s thoughts. What finds its manifestation in both cases is the phenomenon of citizens’ resignation from participation in the public debate; in the first case it is because of the lack of faith in the effectiveness of this type of opiniongiving mechanism, while in the second case it is because of the lack of recognition of other political and ideological options in society. These reflections are concluded in the postulate that the basic task facing democracy today is to maintain the public sphere as open as possible, i.e. not excluding any ideological position in advance. This kind of conclusion is illustrated with the concepts of Chantal Mouffe and Helmuth Plessner. (shrink)