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  1. How Early is Infants' Attention to Objects and Actions Shaped by Culture? New Evidence from 24-Month-Olds Raised in the US and China.Sandra R. Waxman, Xiaolan Fu, Brock Ferguson, Kathleen Geraghty, Erin Leddon, Jing Liang & Min-Fang Zhao - 2016 - Frontiers in Psychology 7.
  • Cultural differences in visual search for geometric figures.Yoshiyuki Ueda, Lei Chen, Jonathon Kopecky, Emily S. Cramer, Ronald A. Rensink, David E. Meyer, Shinobu Kitayama & Jun Saiki - 2018 - Cognitive Science 42 (1):286-310.
    While some studies suggest cultural differences in visual processing, others do not, possibly because the complexity of their tasks draws upon high-level factors that could obscure such effects. To control for this, we examined cultural differences in visual search for geometric figures, a relatively simple task for which the underlying mechanisms are reasonably well known. We replicated earlier results showing that North Americans had a reliable search asymmetry for line length: Search for long among short lines was faster than vice (...)
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  • Enjoying Sad Music: Paradox or Parallel Processes?Emery Schubert - 2016 - Frontiers in Human Neuroscience 10.
  • The sweetest thing: the influence of angularity, symmetry, and the number of elements on shape-valence and shape-taste matches.Alejandro Salgado-Montejo, Jorge A. Alvarado, Carlos Velasco, Carlos J. Salgado, Kendra Hasse & Charles Spence - 2015 - Frontiers in Psychology 6.
  • But Is It really Art? The Classification of Images as “Art”/“Not Art” and Correlation with Appraisal and Viewer Interpersonal Differences.Matthew Pelowski, Gernot Gerger, Yasmine Chetouani, Patrick S. Markey & Helmut Leder - 2017 - Frontiers in Psychology 8.
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  • Is Beauty in the Hand of the Writer? Influences of Aesthetic Preferences through Script Directions, Cultural, and Neurological Factors: A Literature Review.Alexander G. Page, Chris McManus, Carmen P. González & Sobh Chahboun - 2017 - Frontiers in Psychology 8.
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  • Denis Dutton . The Art Instinct: Beauty, Pleasure and Human Evolution. Bloomsbury, New York, NY. $25.Ryan Nichols - 2010 - Journal of Cognition and Culture 10 (3-4):404-407.
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  • Examining cultural drifts in artworks through history and development: cultural comparisons between Japanese and western landscape paintings and drawings.Kristina Nand, Takahiko Masuda, Sawa Senzaki & Keiko Ishii - 2014 - Frontiers in Psychology 5.
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  • Perception in Practice.Dominic McIver Lopes & Madeleine Ransom - 2022 - Review of Philosophy and Psychology 14 (2):387-400.
    A study of culturally-embedded perceptual responses to aesthetic value indicates that learned perceptual capacities can secure compliance with social norms. We should therefore resist the temptation to draw a line between cognitive processes, such as perception, that can adapt to differences in physical environments, and cognitive processes, such as economic decision-making, that are shaped by social norms. Compliance with social norms is a result of perceptual learning when that same compliance modifies perceptible features of the physical environment.
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  • Aesthetics of musical timing: Culture and expertise affect preferences for isochrony but not synchrony.Kelly Jakubowski, Rainer Polak, Martín Rocamora, Luis Jure & Nori Jacoby - 2022 - Cognition 227 (C):105205.
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  • Culture, Perception, and Artistic Visualization: A Comparative Study of Children's Drawings in Three Siberian Cultural Groups.Kirill V. Istomin, Jaroslava Panáková & Patrick Heady - 2014 - Cognitive Science 38 (1):76-100.
    In a study of three indigenous and non-indigenous cultural groups in northwestern and northeastern Siberia, framed line tests and a landscape drawing task were used to examine the hypotheses that test-based assessments of context sensitivity and independence are correlated with the amount of contextual information contained in drawings, and with the order in which the focal and background objects are drawn. The results supported these hypotheses, and inspection of the regression relationships suggested that the intergroup variations in test performance were (...)
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  • Plantinga Redux: Is the Scientific Realist Committed to the Rejection of Naturalism?Abraham Graber & Luke Golemon - 2020 - Sophia 59 (3):395-412.
    While Plantinga has famously argued that acceptance of neo-Darwinian theory commits one to the rejection of naturalism, Plantinga’s argument is vulnerable to an objection developed by Evan Fales. Not only does Fales’ objection undermine Plantinga’s original argument, it establishes a general challenge which any attempt to revitalize Plantinga’s argument must overcome. After briefly laying out the contours of this challenge, we attempt to meet it by arguing that because a purely naturalistic account of our etiology cannot explain the correlation between (...)
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  • A Theoretical Framework for How We Learn Aesthetic Values.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2020 - Frontiers in Human Neuroscience 14:565629.
    How do we come to like the things that we do? Each one of us starts from a relatively similar state at birth, yet we end up with vastly different sets of aesthetic preferences. These preferences go on to define us both as individuals and as members of our cultures. Therefore, it is important to understand how aesthetic preferences form over our lifetimes. This poses a challenging problem: to understand this process, one must account for the many factors at play (...)
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  • Group-level differences in visual search asymmetry.Emily S. Cramer, Michelle J. Dusko & Ronald A. Rensink - 2016 - Attention Perception and Psychophysics 78:1585-1602.
    East Asians and Westerners differ in various aspects of perception and cognition. For example, visual memory for East Asians is believed to be more influenced by the contextual aspects of a scene than is the case for Westerners (Masuda & Nisbett, 2001). There are also differences in visual search: for Westerners, search for a long line among short is faster than for short among long, whereas this difference does not appear to hold for East Asians (Ueda et al., submitted). However, (...)
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