ABSTRACTThis paper draws a comparison between Derrida’s “trace” and the idea of dao in classical Daoism. It is argued that if dao is read in a non-metaphysical way, then the Derridean idea of “trace” will show large overlaps with dao. I then show how, despite some obvious differences, a “trace” reading of dao enables a clearer understanding of dao that would see it not as a metaphysical principle, ineffable but transcendent nonetheless, but rather as an immanent working of the patterned (...) processes that makes up both the natural and human world. I also argue that the notion of trace in classical Daoism or other characters denoting trace, are most often used in a more traditional way and hence are not useful for understanding what Derrida means with his notion of “trace.”. (shrink)

The difficulty to pin down the philosophical content of structuralism depends on the fact that it operates on an implicit metaphysics; such a metaphysics can be best unfolded by examining Jacques Derrida’s deconstructionist critique of it. The essay argues that both structuralism and Derrida’s critique rely on holistic premises. From an initial externalist definition of structure, structuralism’s metaphysics emerges as a kind of ‘immanent’ holism, similar to the one pursued, in the contemporary analytic panorama, by Donald Davidson. By contrast, Derrida’s (...) deconstructionist critique appears engaged in a ‘quasi-transcendental’ version of holism, which the author analyzes in connection with Martin Heidegger’s notion of Verwindung, or twisted overcoming. (shrink)

This article argues that the figure of Oedipus lies at the heart of Horkheimer and Adorno's Dialectic of Enlightenment. Oedipus is the prototypical Aufklärer as no one can rival him in his courageous attempt to employ his own autonomous reason `without direction from another'; yet self-knowledge remains beyond his grasp. Indeed, Oedipus' obsessive drive to bring the truth to light ultimately leads him to put out his own eyes because he is unable to bear the sight of the catastrophe that (...) this drive engenders. Oedipus' demise represents in allegorical form the self-destruction of enlightenment itself. Enlightenment is similarly driven to illuminate the world in its totality by reducing it to philosophical concepts. In the process, however, it becomes blind to the question of its dependence upon that which it purports to possess. In its attempt at total illumination, therefore, enlightenment does not effectuate an exit or Ausgang from the opacity of myth, as Kant had held, but rather is blinded, paradoxically, by the radiance of its own projections. Reading the dialectic of enlightenment through the tragedy of Oedipus leads back to the enigmatic question of art as the means by which the rationalization and disenchantment of the world can be reflected upon critically. (shrink)

The difficulty to pin down the philosophical content of structuralism depends on the fact that it operates on an implicit metaphysics; such a metaphysics can be best unfolded by examining Jacques Derrida’s deconstructionist critique of it. The essay argues that both structuralism and Derrida’s critique rely on holistic premises. From an initial externalist definition of structure, structuralism’s metaphysics emerges as a kind of ‘immanent’ holism, similar to the one pursued, in the contemporary analytic panorama, by Donald Davidson. By contrast, Derrida’s (...) deconstructionist critique appears engaged in a ‘quasi-transcendental’ version of holism, which the author analyzes in connection with Martin Heidegger’s notion of Verwindung, or twisted overcoming. (shrink)

This paper explores the thought of Hegel, Saussure and Derrida regarding the nature of the linguistic sign. It argues that Derrida is right to maintain that Hegel is an influence on Saussure. However, Derrida misrepresents both Hegel and Saussure by interpreting them as falling within the Platonic rather than the Aristotelian philosophical tradition.

The built environment and the organisation of public spaces reflect the normative notions of male and female. Public toilets, amongst other widely common public spaces, underline these two opposing concepts and challenge the presence of transgender. Within the boundaries of public toilets, transgender and gender non-conforming individuals become a crucial point of debate, scrutiny and controversy. Analysing the politics of such gender-segregated space, this article explores the notion of uniformity and challenges the idea of single-ness as the absolute expression of (...) the self. (shrink)

The ArgumentThis paper focuses on the opening of a discursive space: the emergence of informational and scriptural representations of life and their self-negating consequences for the construction of biological meaning. It probes the notion of writing and the book of life and shows how molecular biology's claims to a status of language and texuality undermines its own objective of control. These textual significations were historically contingent. The informational representations of heredity and life were not an outcome of the internal cognitive (...) momentum of molecular biology; they were not a logical necessity of the unravelling of the base-pairing of the DNA double-helix. They were transported into molecular biology still within the protein paradigm of the gene in the 1940s and permeated nearly every discipline in the life and social sciences. These information-based models, metaphors, linguistic, and semiotic tools which were central to the formulation of the genetic code were transported into molecular biology from cybernetics, information theory, electronic computing, and control and communication systems — technosciences that were deeply embedded with the military experiences of world war II and the Cold War. The information discourse thus became fixed in molecular biology not because it worked in the narrow epistemic sense, but because it positioned molecular biology within postwar discourse and culture, perhaps within the transition to a post-modern information-based society. (shrink)

Kolb discusses postmodern architectural styles and theories within the context of philosophical ideas about modernism and postmodernism. He focuses on what it means to dwell in a world and within a history and to act from or against a tradition.

This study is an intervention in postcolonial theorising through a critique of technologies of representation. It examines the effects of technologically-mediated representation in a postcolonial condition that the Philippines has exemplified. New media technologies are mechanisms of representations that embody the logic of spectrality presented in Jacques Derrida’s later work. Spectrality, which brings doubts, ephemerality, and instability to dominant discourses and modes of representation, provides a chance for change.Spectres are effects of technologically-mediated representation that articulate the infinite demand for justice (...) under conditions of enduring inequality. As quasi-transcendental elements of deconstruction, spectres are not reducible to either human or technical intervention; they express the relation of humans to technologies, in which representation is central to the mediation of political authority. This technological representation is the condition of what Derrida calls “iteration,” or the transformation of hegemonic authority through the very repetition of its fundamental terms of identification. The examination of emancipatory new media technologies in a postcolonial condition is inspired by the work of Jacques Derrida, in his deconstructive reading of Marx’s spectres. However, the writings of Habermas and Adorno have offered an implicit appraisal of the ontology of spectres. Habermas’s theory of the public sphere and Adorno’s negative dialectics are discourses that unwittingly solicit spectres. The account of the postcolonial condition in the Philippines works through the questions of universality, subalternity, and the right to theory that are raised by the project of Western critical theory. (shrink)

En una era donde la diversidad es progresivamente aceptada como un valor tanto como un hecho, el cosmopolitismo ético-político debe proponer una noción de unidad global que sea compuesta en vez de impuesta por la diferencia. Jacques Derrida y Walter Mignolo ofrecen versiones distintas de esta visión del cosmopolitismo. La versión de Derrida está basada en su noción de “la democracia por venir”. Caracteriza esta noción como un mandato “incondicional” o cuasi transcendental. Mignolo se queja de este mandato como un (...) “universal abstracto”. En su lugar ofrece una versión “crítica y dialógica” del cosmopolitismo basada más específicamente en “la diferencia colonial” o “el pensamiento fronterizo” de los grupos subalternos de América latina. Yo argumento que las referencias implícitas y explícitas de Derrida a las “voces” sugieren una tercera alternativa. Esta opción impide ciertos problemas que podemos atender en los convincentes puntos de vista de Derrida y Mignolo acerca del cosmopolitismo. También esta opción preserva la universalidad que tiene el mandato incondicional de Derrida pero sobre la base de un tipo de inmanencia material impulsada por el pensamiento fronterizo de Mignolo. (shrink)

"We have learnt to see Joyce as Lacan's own symptom," writes Jean-Michel Rabate, "and as the sinthome par excellence" (2006, 26). This duality of Joyce as an unreadable text permeated with enjoyment and at the same time as an enigma that Lacan wants to decipher supplies the key to an understanding of Seminar XXIII. Lacan's addition to the triad of the Real, the Symbolic and the Imaginary of a fourth term, the Sigma (or sinthome) firms up his late shift from (...) the speakingbeing (parletre, the Lacanian neologism that indicates the insertion of the human being into the signifying chain) to MAN (LOM, a Lacanian play on l'homme). Instead of the human being as inserted into the Symbolic Order, Seminar XXIII presents Joyce as inserting himself into language, tying the signifier to the body in a special, unique way. For Lacan, the sinthome is eccentric to the registers of the Real, Symbolic and Imaginary, yet it paradoxically links them when the Name-of- the-Father fails. The implication is carried in the concept of "nomination" that the Name-of-the-Father (or its structural equivalents, such as "Woman," "God" and "Joyce") makes language possible for the individual. (shrink)

_ Source: _Volume 48, Issue 2, pp 209 - 232 In _Specters of Marx_, Derrida suggests that the most fundamental condition of phenomenality lies in the ambiguous status of the noema, defined as an intentional and non-real component of _Erlebnis_, neither “in” the world nor “in” consciousness. This “irreality” of the noematic correlate is conceived by Derrida as the origin of sense and experience. Already in his _Of Grammatology_, Derrida maintained that the difference between the appearing and the appearance, between (...) the world and the lived experience, is the condition of all other differences. Unfortunately, Derrida limits himself to a few self-evident remarks, without further elaborating.The aim of this paper is twofold: on the one hand, to contextualize Derrida’s interpretation of the noema from a theoretical and historical perspective; on the other hand, to show its effects on the early moments of Derrida’s philosophy. The result will shed light on a neglected issue in the relationship between deconstruction and phenomenology. (shrink)

ABSTRACTThis article presents a critical account of the debate between Derrida and Searle in which I defend Austin’s and Searle’s pragmatic analysis of speech against Derrida’s complex deconstructionist approach. I first formalize Derrida’s argument, reducing it to its main tenets that can be positively identified and critically reviewed. On the basis of this formalization I argue that the apparent incompatibility between Derrida’s and Searle’s approach to language becomes clear once we formalize, according to their type and content, the three concepts (...) of “intention” that are confusedly referred to under one and the same label in the debate. This formalization reduces and clarifies the obscurity associated with the Derrida–Searle debate, and helps demonstrating the shortcomings of Derrida’s position. (shrink)

ABSTRACTIn the literature on Derrida’s philosophical formation, the name of Eugen Fink is usually forgotten. When it is recalled, it is most often because of his 1930s articles on phenomenology. In this paper, I claim on the contrary that Fink’s writings exerted a lasting influence on Derrida’s thought, well beyond his early phenomenological works. More specifically, I focus on a 1957 paper presented at a conference on Husserl’s thought where Fink formulates an important distinction between operative and thematic concepts. By (...) adopting both historical and theoretical perspectives, I show how this couple of notions can help to understand Derrida’s singular way of reading philosophical texts. In particular, I present the Derridean concept of supplement as a reworking of Fink’s notion of operative concept. I conclude by suggesting that deconstruction can be understood in part as a radicalization of Fink’s theses. (shrink)

ABSTRACTIn this paper I shall tackle the problem of differentiating Deleuze and Derrida. Various writers have done so, comparing these philosophers’ conceptions of repetition and difference. I shall attempt to enrich, sharpen and sometimes criticize these writers by exploring the paradigm through which Deleuze and Derrida have reflected upon repetition and difference in the first place: the mise en abyme, a literary concept designating a work that doubles itself within itself. I shall argue that Derrida applied to his theory of (...) difference a degenerated picture of the mise en abyme, which I shall term the “lacunal”, and which would cause him, against himself, to grasp the concept of difference “logocentrically”. On the other hand, Deleuze – attending to the actual emblem and to what literary theorists had to say about it – drew its correct lesson: the Other is less that which challenges Totality than the very coexistence between the Other-than-Totality and the Totality it challenges. (shrink)

This paper discusses the role of a particular form of philosophical spirituality in the emergence of post-structuralist theory. Initially elaborated in the post-Kantian metaphysics of Husserl and Heidegger, and focused in recondite acts of intellectual self-transformation, this form of spirituality was transposed into a literary hermeneutics that permitted its wider dissemination in the Anglo-american humanities academy. Post-structuralist theory is the result of this historical transformation.

This essay situates Kristeva's theory of semiotics in the context of the controversial debate about the status of the maternal body in her work. I argue that, if we rethink the opposition between the semiotic and the symbolic as the relation between the trace and the sign, it becomes clear that the maternal semiotic is irreducible either to the prelinguistic plenitude or to the alternative symbolic position. The second part of the essay develops the connection between Kristeva's linguistic theory and (...) the alterity of the maternal body, articulated here as the in-fold of the other and the same. (shrink)

Through a re-articulation of Derridean différance, Bernard Stiegler claims that the human is defined by an originary default that displaces all psychic and social life onto technical supplements. His philosophy of technics re-articulates the logic of the supplement as concerning both human reflexivity and its supports, and the history of the différance of life itself. This has been criticised for reducing Derrida's work to a metaphysics of presence, and for instituting a humanism of the relation to the inorganic. By refuting (...) these claims, this article will show that Stiegler's doubling of différance enables him to articulate the human as constituted by both the individuation characteristic of ‘life’, and that of a technical, psychic, and collective individuation. Putting forward a reading of the logic of the trace in life, and emphasising the aspects of Leroi-Gourhan, Simondon, and Canguilhem that Stiegler uses in his reading of Derrida, I will demonstrate that the political stakes of adaption and adoption in his Noopolitics require this re-articulation of différance. Technics shapes the human future, arising from this differential mutation; marking the invention of the human as the site of the political. (shrink)

Derrida always stipulates that deconstruction is not a ‘‘method’’. But deconstruction nevertheless involves a certain strategy and protocol: terms that both designate a process and serve as an example of that process. Derrida's deployment of these terms clarifies how his analyses of logocentrism anticipate the political texts of his later career. In his early texts, Derrida famously shows how the dyad of speech and writing is a ‘‘violent hierarchy’’ in which speech is everywhere privileged. I show how, by contrast, his (...) later analysis of law and force necessarily redoubles this strategy because each of these terms is privileged in rival traditions of political thought. (shrink)

This article inquires into a paradoxical position held by the concept of ‘nature’ in Derrida's thought. While a pivotal part of his project of deconstruction is devoted to a critique of the metaphysical privileging of nature over its others (technics, culture, and so on), the same project also aims at dismantling the hierarchical binary opposition of man/animal. Insofar as the term ‘animal’ or ‘animality’ to a large extent overlaps with nature, these two strands of his thought appear to stand in (...) a significant tension with each other. I explore this conceptual tension by re-examining Derrida's early critique of the notion of nature – specifically in his reading of Rousseau – in conjunction with his later engagement with the question of animality. As my reading shows, deviating from his early approach, his later work indicates the way in which animal others (and, by extension, all living and non-living others) are indeed constituted by supplementarity and yet, in their irreplaceable singularity, exceed the very structure of supplementarity. This opens up a new way of conceiving nature, no longer as originary presence nor simply as an effect of supplementary play, but in terms of the aporetic relation between supplementarity and what may be termed ‘the unsupplementable’. (shrink)

ABSTRACTWhile Hegel's discussion of the ‘speculative sentence’ occurs in the ‘Preface’ to the Phenomenology of Spirit, commentators rarely link it to the larger program of this text. Instead, this...

It is a common metaphor that the text is a window onto the world that it depicts. I want to explore this metaphor and the insights it may offer us for better understanding legal interpretation. As in the opening epigraph from James Boyd White, I shall develop the metaphor of the text as window in three ways: the text may be transparent, opaque, or translucent. My goal will be to argue that the best way to understand legal interpretation is to (...) conceive of the legal text as translucent, but along the way I will compare the merits also of considering the legal text as either transparent or opaque. (shrink)

If the opening sequence of a film is a microscopic 'event' that achieves far more than setting the tone and whetting the appetite for what we are about to see, then Todd Haynes' I'm Not There is exemplary. This paper works its way through the conceptually dense and intricately woven textual layers of the film's opening to stage a three-way dialogue between Haynes, Bob Dylan and Jacques Derrida: three mavericks who defy simple categorisation, by transgressing the boundaries of their respective (...) fields (song writing, cinema and philosophy). By introducing Derrida's deconstructive logic of hauntology as a strategy for reading Haynes' biopic on Dylan, the figure of the ghost is called upon to situate the quest for an identity's authenticity as a perennial, irresolvable problem in song, cinema and philosophy. Belonging to a time that is neither past nor present, a place that is neither here nor there, the ghost offers the perfect medium to join Haynes, Dylan and Derrida in (re)thinking identity in terms that respond to a call (in the name of art, justice and truth, among other things) that is not based on an unyielding conception of authenticity. (shrink)

Reflection names the central activity of Western philosophical practice; the mirror and its attendant metaphors of reflection are omnipresent in the self-image of Western philosophy and in metaphilosophical reflection on reflection. But the physical experiences of being reflected by glass mirrors have been inadequately theorized contributors to those metaphors, and this has implications not only for the self-image and the self of philosophy but also for metaphilosophical practice. This article begins to rethink the metaphor of reflection anew. Paying attention to (...) the history of the glass mirror in Europe reveals and challenges the modern emergence of clear ontological distinctions between disembodied subjects and the objects of their knowledge, and suggests a compelling terrain of metaphilosophical analysis. On the reading offered by the article, the inherent complexity of the relationship between selves and their mirror images, a complexity mediated by social location, historical situation, and particular projects, points to significant spaces of unknowing, of indeterminacy, and of ontological ambiguity. (shrink)