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L'œl Et L'Esprit

Gallimard (1964)

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  1. Les Frontières Entre Réel Et Imaginaire À L’Épreuve des Promenades Sonores in Situ.Lucia Angelino - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):189-203.
    This article examines the particular aesthetic experience brought about by soundwalks. In each case, the point of departure is the phenomenological analysis of two case study: Janet Cardiff’s Walks and the audio-tours Remote x by Rimini Protokoll. Drawing upon Husserl and Merleau-Ponty, I will examine the conflicts of perception and the peculiar shift from one order of perception to another that punctuate the spectator’s walking, as well as the intertwining of the real and the imaginary coming into being in such (...)
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  • Between Logos and Doxa: The Intelligence of a Machine.German A. Duarte - 2016 - Human and Social Studies 5 (1):113-134.
    This paper deals with Parmenides of Elea’s way of inquiry about reality and the opposition emerging from it. In more detail, it analyses how Parmenides’ concepts of logos and doxa present some analogies with Bergson’s thoughts about duration and Time and how these theories influenced the understanding of visual media, especially the cinematographic camera. This survey will allow us to demonstrate that some scientific theories about space that accompanied the development of the cinematographic camera progressively allowed for the birth of (...)
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  • Some Reflections on the Phenomenological Method.Gabriella Farina - 2014 - Dialogues in Philosophy, Mental and Neuro Sciences 7 (2):50-62.
    There is no unique and definitive definition of phenomenology. It is rather a method and an experience always open and always renewing itself. Phenomenology involves a change in the "sense of the world": everything acquires its sense and value only when it becomes the content of the lived experience of the subject correlated to his intentional acts. This is the main thesis of the phenomenological method aiming at overcoming the traditional opposition between rationalism and empiricism. Starting from Husserl, the father (...)
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  • The Ontology of Vision. The Invisible, Consciousness of Living Matter.Giorgia Fiorio - 2016 - Frontiers in Psychology 7.
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  • Manipular Ou Habitar? Merleau-Ponty E o Paradoxo da Ciência.Claudinei Aparecido Freitas Silva - 2013 - Filosofia Unisinos 14 (1).
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  • Les Trois Modes Perceptifs Et le Concept D’Image Chez Bergson.Ioulia Podoroga - 2009 - Meta 1 (2):351-367.
    The article focuses on the constitution of the concept of image in Bergson’s second important book, Matter and Memory. It intends to show how this concept is developing throughout the three types of perception that can be found in Bergson: the ordinary or utilitarian perception, pure perception and artistic perception . According to the modes of participation to these types of perception, the image can be regarded as representational image, movement-image and figuration-image . The article stresses the importance of artistic (...)
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  • Naître du Monde Et Naître au Monde. Merleau-Ponty / Patočka.Frederic Jacquet - 2013 - Meta 5 (1):61-82.
    The phenomenon of birth is here to be presented as a crucial one, discreet though, into Merleau-Ponty and Patočka’s philosophy. So it deserves a confrontation of their respective thoughts. Both of them have radicalised Husserl’s phenomenology into a philosophy of birth. This phenomenological achievement includes an ontology of birth, which feeds an anthropology in a brand new way, presented in the following pages.
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  • Landscape and Health: Connecting Psychology, Aesthetics, and Philosophy Through the Concept of Affordance.Laura Menatti & Antonio Casado da Rocha - 2016 - Frontiers in Psychology 7.
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  • ‘Line of Wreckage’: Towards a Postindustrial Environmental Aesthetics.Jonathan Maskit - 2007 - Ethics, Place and Environment 10 (3):323 – 337.
    Environmental aesthetics, largely because of its focus on 'natural' rather than artifactual environments, has ignored postindustrial sites. This article argues that this shortcoming stems from the nature-culture divide and that such sites ought to be considered by environmental aestheticians. Three forms of artistic engagement with postindustrial sites are explicated by looking at the work of Serra, Smithson, and others. It is argued that postindustrial art leads to a successively richer ability to see and thus think about such sites. Finally, a (...)
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  • El Lugar Del otro: El problema de la alteridad en la filosofía de Merleau-ponty.Leonardo Verano Gamboa - 2012 - Universitas Philosophica 29 (58):251-275.
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