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  1. Solipsismo e Reconhecimento: Metafísica Descritiva com Rosto Humano.Jônadas Techio - 2008 - Principia: An International Journal of Epistemology 12 (2):217-235.
    The paper provides a reconstruction of Strawson’s argument in chapter 3 of Individuals, emphasizing an aspect of his analysis which has received relatively small attention in the literature: the role played by a “non-detached” or “involved” stance towards other subjects in the constitution of a non-solipsistic consciousness of the world. Additionally, the paper presents some of the main lines of development which are available to further clarify and articulate the underscored aspect of Strawson’s analysis, ending up with the suggestion that (...)
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  • Why film matters to political theory.Davide Panagia - 2013 - Contemporary Political Theory 12 (1):2-25.
    In this article, I claim that film matters to political theory not because of the stories films recount, but because the medium of film offers political theorists an image of political thinking that emphasizes the stochastic serialization of actions. I thus argue that the stochastic serialization of moving images that films project makes available for democratic theory an experience of resistance and change as a felt discontinuity of succession, rather than as an inversion of hierarchical power. In my treatment of (...)
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  • Spike Lee and the sympathetic racist.Dan Flory - 2006 - Journal of Aesthetics and Art Criticism 64 (1):67–79.
  • Blade Runner|[rsquo]|s humanism: Cinema and representation.Joshua Foa Dienstag - 2015 - Contemporary Political Theory 14 (2):101.
    © 2015 Macmillan Publishers Ltd. Many have pointed to Blade Runner's humanization of its 'replicants' as a compelling statement against exploitation and domination. I argue, however, that the film has another kind of agenda: a Rousseauvian concern about the dangers of representation, about confusing the imitation with the real and confusing the consumption of images with political action. Rather than humanizing the other, Blade Runner's central concern is to humanize our own social and political relationships, which are in danger of (...)
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  • Blade Runner’s humanism: Cinema and representation.Joshua Foa Dienstag - 2015 - Contemporary Political Theory 14 (2):101-119.
    © 2015 Macmillan Publishers Ltd. Many have pointed to Blade Runner's humanization of its 'replicants' as a compelling statement against exploitation and domination. I argue, however, that the film has another kind of agenda: a Rousseauvian concern about the dangers of representation, about confusing the imitation with the real and confusing the consumption of images with political action. Rather than humanizing the other, Blade Runner's central concern is to humanize our own social and political relationships, which are in danger of (...)
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  • On Moral Understanding.David Levy - 2004 - Dissertation, University of London
    I provide an explanation of moral understanding. I begin by describing decisions, es- pecially moral ones. I detail ways in which deviations from an ideal of decision-making occur. I link deviations to characteristic critical judgments, e.g. being cavalier, banal, coura- geous, etc. Moral judgments are among these and carry a particular personal gravity. The question I entertain in following chapters is: how do they carry this gravity? In answering the question, I try “external” accounts of moral understanding. I distin- guish (...)
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