ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin'sBeaglediary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the (...) beginning. The awesome spectacle of the earthquake proved in turn the magnitude of the forces at stake in earth history, and helped to make geology an epic conjoining the history of civilization with the history of the earth. (shrink)

This paper examines how the 19th-century British naturalist Alfred Russel Wallace used biogeographical mapping practices to draw a boundary line between Malay and Papuan groups in the colonial East Indies in the 1850s. Instead of looking for a continuous gradient of variation between Malays and Papuans, Wallace chose to look for a sharp discontinuity between them. While Wallace's "human biogeography" paralleled his similar project to map plant and animal distributions in the same region, he invoked distinctive "mental and moral" features (...) as more decisive than physical ones. By following Wallace in the field, we can see his field mapping practices in action -- how he conquered the problem of local particularity in the case of human variation. His experiences on the periphery of expanding European empires, far from metropolitan centers, shaped Wallace's observations in the field. Taking his cues from colonial racial categories and his experiences collaborating with local people in the field, Wallace constructed the boundary line between the Malay and Papuan races during several years of work in the field criss-crossing the archipelago as a scientific collector. This effort to map a boundary line in the field was a bold example of using the practices of survey science to raise the status of field work by combining fact gathering with higher-level generalizing, although the response back in the metropole was less than enthusiastic. Upon his return to Britain in the 1860s, Wallace found that appreciation for observational facts he had gathered in the field was not accompanied by agreement with his theoretical interpretations and methods for doing human biogeography. (shrink)

This paper examines how the 19th-century British naturalist Alfred Russel Wallace used biogeographical mapping practices to draw a boundary line between Malay and Papuan groups in the colonial East Indies in the 1850s. Instead of looking for a continuous gradient of variation between Malays and Papuans, Wallace chose to look for a sharp discontinuity between them. While Wallace's "human biogeography" paralleled his similar project to map plant and animal distributions in the same region, he invoked distinctive "mental and moral" features (...) as more decisive than physical ones. By following Wallace in the field, we can see his field mapping practices in action -- how he conquered the problem of local particularity in the case of human variation. His experiences on the periphery of expanding European empires, far from metropolitan centers, shaped Wallace's observations in the field. Taking his cues from colonial racial categories and his experiences collaborating with local people in the field, Wallace constructed the boundary line between the Malay and Papuan races during several years of work in the field criss-crossing the archipelago as a scientific collector. This effort to map a boundary line in the field was a bold example of using the practices of survey science to raise the status of field work by combining fact gathering with higher-level generalizing, although the response back in the metropole was less than enthusiastic. Upon his return to Britain in the 1860s, Wallace found that appreciation for observational facts he had gathered in the field was not accompanied by agreement with his theoretical interpretations and methods for doing human biogeography. (shrink)

This article is a meditation on the overlaps between environmentalism, post-colonial theory, and the practice of history. It takes as a case study the writings of the explorer-scientist-abolitionist Alexander von Humboldt , the founder of a humane, socially conscious ecology. The post-colonial critique has provided a necessary corrective to the global environmental movement, by focusing it on enduring colonialist power dynamics, but at the same time it has crippled the field of environmental history, by dooming us to a model of (...) the past in which all Euro-American elites, devoid of personal agency, are always already in an exploitative relationship with the people and natural resources of the developing world. A close reading of Humboldt’s work, however, suggests that it could provide the basis for a healthy post-colonial environmentalism, if only post-colonial critics were willing to see beyond Humboldt’s complicity in colonial structures. In particular, this article attempts to rehabilitate Humboldt’s reputation in the face of Mary Louise Pratt’s canonical post-colonial study, Imperial Eyes: Travel Writing and Transculturation. Humboldt’s efforts to inspire communion with Nature while simultaneously recognizing Nature’s “otherness” can be seen as radical both in his day and in ours. In addition his analysis of the link between the exploitation of natural resources and the exploitation of certain social groups anticipates the global environmental justice movement. (shrink)

This article is a meditation on the overlaps between environmentalism, post‐colonial theory, and the practice of history. It takes as a case study the writings of the explorer‐scientist‐abolitionist Alexander von Humboldt, the founder of a humane, socially conscious ecology. The post‐colonial critique has provided a necessary corrective to the global environmental movement, by focusing it on enduring colonialist power dynamics, but at the same time it has crippled the field of environmental history, by dooming us to a model of the (...) past in which all Euro‐American elites, devoid of personal agency, are always already in an exploitative relationship with the people and natural resources of the developing world. A close reading of Humboldt's work, however, suggests that it could provide the basis for a healthy post‐colonial environmentalism, if only post‐colonial critics were willing to see beyond Humboldt's complicity in colonial structures. In particular, this article attempts to rehabilitate Humboldt's reputation in the face of Mary Louise Pratt's canonical post‐colonial study, Imperial Eyes: Travel Writing and Transculturation. Humboldt's efforts to inspire communion with Nature while simultaneously recognizing Nature's “otherness” can be seen as radical both in his day and in ours. In addition his analysis of the link between the exploitation of natural resources and the exploitation of certain social groups anticipates the global environmental justice movement. (shrink)

Alexander von Humboldt’s depictions of mountain vegetation are among the most iconic nineteenth century illustrations in the biological sciences. Here we analyse the contemporary context and empirical data for all these depictions, namely the _Tableau physique des Andes_ (1803, 1807), the _Geographiae plantarum lineamenta_ (1815), the _Tableau physique des Îles Canaries_ (1817), and the _Esquisse de la Géographie des plantes dans les Andes de Quito_ (1824/1825). We show that the Tableau physique des Andes does not reflect Humboldt and Bonpland’s field (...) data and presents a flawed depiction of plant occurrences and vertical succession of vegetation belts, arising from Humboldt’s misreading of La Condamine’s description (1751). Humboldt's 1815 depiction, by contrast, shows a distribution of high-vegetation belts that is consistent with La Condamine’s description, while the 1824 depiction drops innovations made in 1815 and returns to simply showing numerous species’ names, thus not applying Humboldt’s own earlier zonation framework. Our analysis of contemporary reactions to Humboldt’s TPA includes Francis Hall’s posthumously published 1834 illustration of Andean plant zonation near Quito and Humboldt’s reaction to Hall’s critique. Throughout his work on plant geography, Humboldt disregarded some of his own observations, or confused them. At stake was his reputation as an innovator in the field of plant geography and a discoverer of the sequence of high-elevation vegetation belts on the world’s mountains. (shrink)

Among the many groups of scholars whose work now illuminates science, technology and medicine (STM), historians, it seems to me, have a key responsibility not just to elucidate change but to establish and explain variety. One of the big pictures we need is a model of the varieties of STM over time; one which does not presume the timeless existence of disciplines, or the distinctions between science, technology and medicine; a model which is both synchronic and diachronic, and both cognitive (...) and social. To that end, this brief paper presents a historical typology of STM from about 1700 to the present by focusing on four ‘ideal’ socio-cognitive types – four knowledge structures which correspond to four sets of social relations. To some extent these are period specific, but they do not have to be – hence, one may hope, the flexibility and usefulness of the model. (shrink)

In 1749, Linnaeus presided over the dissertation "Oeconomia Naturae," which argued that each creature plays an important and particular role in nature 's economy. This phrase should be familiar to readers of Darwin, for he claims in the Origin that "all organic beings are striving, it may be said, to seize on each place in the economy of nature." Many scholars have discussed the influence of political economy on Darwin's ideas. In this paper, I take a different tack, showing that (...) Darwin's idea of an economy of nature stemmed from the views of earlier naturalists like Linnaeus and Lyell. I argue, in the first section of the paper, that Linnaeus' idea of oeconomia naturae is derived from the idea of the animal economy, and that his idea of politia naturae is an extension of the idea of a politia civitatis. In the second part, I explore the use of the concept of stations in the work of De Candolle and Lyell – the precursor to Darwin's concept of places. I show in the third part of the paper that the idea of places in an economy of nature is employed by Darwin at many key points in his thinking: his discussion of the Galapagos birds, his reading of Malthus, etc. Finally, in the last section, I demonstrate that the idea of a place in nature 's economy is essential to Darwin's account of divergence. To tell his famous story of divergence and adaptation, Darwin needed the economy of nature. (shrink)

In his classic textbook,The History of Biology, Erik Nordenskiöld suggested that there had existed, throughout the nineteenth century, not one but two distinct forms of plant geography. He designated one of these traditions of inquiry ‘floristic’ plant geography, tracing its origins back to the work of Carl Linnaeus on species and their distributions. The second form Nordenskiöld termed ‘morphological’, by which he meant that its practitioners concentrated upon the study of vegetation rather than flora. He located the origins of this (...) tradition of inquiry within the botanical work of Alexander von Humboldt. (shrink)

There have been constant and multiple endeavours to argue for Darwin's both epistemic and practical debt to Romanticism. Almost all of these arguments emphasise Darwin's theoretical and aesthetic associations with Alexander von Humboldt, who, from a prevailing Darwin-centred perspective, is in turn usually oversimplified as an undisputed incarnation of Romanticism. The antagonistic view, however, develops nothing other than another stereotype of Humboldt as an anti-idealistic, pro-French, and even highly Anglophone empiricist naturalist, and accordingly rejects the claim of a romantic Darwin (...) in terms of his Humboldtian inheritance. In this paper, I will first portray a balanced figure of Humboldt in terms of both his critical incorporation of romantic philosophy and the idiosyncratic history of his science. Then, I will thematically compare Darwin with Humboldt and other romantics so as to elucidate Darwin's peculiar appropriation of romantic tenets. Three interrelated romantic themes are examined, along with a discrimination of different senses in which the term romanticism is used: a) the literature-science relation, b) the pursuit of the unity in and through multiplicity, and c) the epistemic role of imagination. On the basis of this triadic dissection, both Humboldt's and Darwin's adherence to and departure from romanticism are reevaluated. (shrink)

Landscape took on a new meaning through the new science of plant geography of Alexander von Humboldt (1769–1857). In the seventeenth and eighteenth centuries, “landscape” was foremost a painterly genre. Slowly, painted landscapes came to bear on natural surroundings, but by 1800 it was still not common to designate sites as “landscapes.” Humboldt looked at plant vegetation with a painterly gaze. Artists, according to him, could suggest in their work that an abstract unity lay hidden underneath observable phenomena. Humboldt projected (...) painted landscapes on nature and found its ecological unity. By doing so, he ultimately stripped the concept of landscape from its primary visual meaning. (shrink)

ArgumentBetween 1838 and 1863 the Grimm brothers led a collaborative research project to create a new kind of dictionary documenting the history of the German language. They imagined the work would present a scientific account of linguistic cohesiveness and strengthen German unity. However, their dictionary volumes (most of which were arranged and written by Jacob Grimm) would be variously criticized for their idiosyncratic character and ultimately seen as a poor, and even prejudicial, piece of scholarship. This paper argues that such (...) criticisms may reflect a misunderstanding of the dictionary. I claim it can be best understood as an artifact of romanticist science and its epistemological privileging of subjective perception coupled with a deeply-held faith in inter-subjective congruence. Thus situated, it is a rare and detailed case of Romantic ideas and ideals applied to the scientific study of social artifacts. Moreover, the dictionary's organization, reception, and legacy provide insights into the changing landscape of scientific practice in Germany, showcasing the difficulties of implementing a romanticist vision of science amidst widening gaps between the public and professionals, generalists and specialists. (shrink)

Backstory of "The Man Who Would Be King." A meditation on the limits of scientific and historical representation.

ArgumentThe discovery of the Alps in the second half of the eighteenth century spawned an aesthetics of sublimity that enabled overwhelmed beholders of mountains to overcome their confusion symbolically by transforming initial speechlessness into pictures and words. When travelers ceased to be content with beholding mountains, however, and began climbing them, the sublime shudder turned into something else. In the snowy heights, all attempts to master symbolically the challenging landscape was thwarted by vertigo, somnolence, and fatigue. After 1850, physiologists intervened, (...) using the Alpine terrain as a laboratory landscape that was ideally suited to examine one of the most threatening concerns offin de siècleindustrial societies: fatigue. This essay examines how the picturesque voyage turned into an experimental physiology of fatigue, and how the “wordless subjectivity” of romantic travelers turned into the “wordless objectivity” of life scientists. (shrink)

Recent historiography has demonstrated a growing sensitivity toward space as a geographical and cultural category. The following article expands on this theme by focusing on Alexander von Humboldt and his understanding of nature as >cosmos Humboldtian science Humboldtian science Humboldtian science< not only to satisfy the need for knowledge; beyond that, Humboldt's ideas nourished an esthetic perception of nature, and they served as a vehicle for the ideological search for unity in nature and human society.