Citations of work:

Paul Noordhof (2008). Expressive Perception as Projective Imagining.

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  1.  9
    The Recognition of Emotions in Music and Landscapes: Extending Contour Theory.Marta Benenti & Cristina Meini - 2018 - Philosophia 46 (3):647-664.
    While inanimate objects can neither experience nor express emotions, in principle they can be expressive of emotions. In particular, music is a paradigmatic example of something expressive of emotions that surely cannot feel anything at all. The Contour theory accounts for music expressiveness in terms of those resemblances that hold between its external and perceivable properties and the typical contour of human emotional behavior. Provided that some critical aspects are emended – notably, the stress on the perception of similarity instead (...)
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    Visualizing and Visualizing Representations.Derek Matravers - 2018 - Journal of Aesthetics and Art Criticism 76 (3):275-284.
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    Percevoir l'Expression Émotionnelle Dans les Objets Inanimés : L'Exemple du Vin.Cain Todd - 2012 - Dialogue 51 (1):129-139.
    ABSTRACT: Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow (...)
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  4. Music, Emotions and the Influence of the Cognitive Sciences.Tom Cochrane - 2010 - Philosophy Compass 5 (11):978-988.
    This article reviews some of the ways in which philosophical problems concerning music can be informed by approaches from the cognitive sciences (principally psychology and neuroscience). Focusing on the issues of musical expressiveness and the arousal of emotions by music, the key philosophical problems and their alternative solutions are outlined. There is room for optimism that while current experimental data does not always unambiguously satisfy philosophical scrutiny, it can potentially support one theory over another, and in some cases allow us (...)
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