This article is about the exchanges between Leibniz, Arnauld, Bayle and Lamy on the subject of pain. The inability of Leibniz’s system to account for the phenomenon of pain is a recurring objection of Leibniz’s seventeenth-century Cartesian readers to his hypothesis of pre-established harmony: according to them, the spontaneity of the soul and its representative nature cannot account for the affective component of pain. Strikingly enough, this problem has almost never been addressed in Leibniz studies, or only incidentally, through the (...) more general problem of evil. My purpose in this article is to clarify Leibniz’s psychophysical parallelism by opposing his representationist account of pain to the functionalist account endorsed by Arnauld, Bayle, Lamy and Malebranche. (shrink)

I argue that Leibniz’s doctrine of sensory representation is intended in part to close an explanatory gap in his philosophical system. Unlike the twentieth century explanatory gap, which stretches between neural states on one side and phenomenal character on the other, Leibniz’s gap lies between experiences of secondary qualities like color and taste and the objects that cause them. The problem is that the precise arrangement and distribution of such experiences can never be given a full explanation. In response, Leibniz (...) appeals to representation. I argue that the sense in which Leibnizian sensations are representations is too weak to close his explanatory gap. In the end, he must appeal to the doctrine of the best possible world. (shrink)