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  1. Prum’s Aesthetic Theory of Evolution: Beauty Happens and It Can Change a Great Many Things.Andrej Spiridonov - 2018 - Biosemiotics 11 (3):455-462.
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  • Senders, Receivers, and Symbolic Artifacts.Peter Godfrey-Smith - 2017 - Biological Theory 12 (4):275-286.
    A “sender–receiver” framework based on models developed in several fields can provide a general treatment of communicative and symbolic phenomena, replacing traditional semiotic theories that have failed to live up to the hopes of their advocates. Sender–receiver models have mostly been applied to linguistic behavior, gestures, and other ephemeral interactions between individuals. I look at the application of this framework to enduring artifacts, including pictures, using indigenous rock art in Australia as a case study.
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  • Another Darwinian Aesthetics.Catherine Wilson - 2016 - Journal of Aesthetics and Art Criticism 74 (3):237-252.
    I offer a Darwinian perspective on the existence of aesthetic interests, tastes, preferences, and productions. It is distinguished from the approaches of Denis Dutton and Geoffrey Miller, drawing instead on Richard O. Prum's notion of biotic artworlds. The relevance of neuroaesthetics to the philosophy of art is defended.
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