Dharmakīrti’s apoha theory of concept formation aims to provide an account of intersubjectivity without relying on the existence of real universals. He uses the pan-Yogācāra theory of karmic imprints to claim that sentient beings form concepts by treating unique particulars as if a certain subset of them had the same effects. Since this judgment of sameness depends on an individual's habits, desires, and sensory capacities, and these in turn depend on the karmic imprints developed over countless lifetimes and continuously reshaped (...) by ongoing actions, the extent to which individuals experience themselves as acting within a shared world depends on these imprints. However, a number of critics—traditional and contemporary—have expressed compelling doubts about whether or not apoha can be successful given Dharmakīrti's ontology which, in addition to denying universals, eventually denies the reality of even the most basic structure of conventional experience: subject/object duality. In line with the tradition he inherits, Dharmakīrti considers even the mere division of a moment of awareness into defined structures of subject and object to be a distortion shaped by beginningless karmic imprints. While this initial moment of awareness is nonconceptual, the experience of a certain world is always already shaped by the previous actions of sentient beings trapped within the web of saṃsāra, in a process driven by ignorance. Dharmakīrti’s reliance on karmic imprints on two distinct levels—one within the conventional world, and one which constitutes the conventional world—may thereby provide a compelling account of intersubjectivity without relying on universals. (shrink)

In the matter of the body, even comparative language—the very use of English today—is soaked through and through with the Cartesian version of the intuition of dualism: the idea that we are fundamentally a mind and a body that must be either related ingeniously, or else reduced to one another. Instead, by deliberately looking at genres that pertain to other aspects of being human, I seek to go deeper into texts that simply start elsewhere than with intuitions of dualism, even (...) while being engrossed in the category of the experiential ‘body’. (shrink)

Some recent surveys of the modern philosophical debate over the existence of non-conceptual perceptual content have concluded that the distinction between conceptual and non-conceptual representations is largely terminological. To remedy this terminological impasse, Robert Hanna and Monima Chadha claim that non-conceptualists must defend an essentialist view of non-conceptual content, according to which perceptual states have representational content whose structure and psychological function are necessarily distinct from that of conceptual states. Hanna and Chadha additionally suggest that non-conceptualists should go “back to (...) Kant” to find the most defensible version of an essentialist content non-conceptualism. I propose instead that non-conceptualists go back even further to the seventh-century Indian Buddhist philosopher Dharmakīrti, so that they may not only find historical precedent for an essentialist content view, but also some better arguments in its favor. This essay reconstructs Dharmakīrti's essentialist non-conceptualism about the contents of conscious sensory representations and the refined theory of conceptualization that it presupposes. In particular, I examine his arguments from the proprietary phenomenology of sensory experience, the cognitive encapsulation of sensory processing, as well as the iconic format of sensory representations, and assess the strength of these arguments relative to their modern counterparts. (shrink)