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  1. Aesthetic ineffability.Silvia Jonas - 2017 - Philosophy Compass 12 (2):e12396.
    This essay provides an overview of the ways in which contemporary philosophers have tried to make sense of ineffability as encountered in aesthetic contexts. Section 1 sets up the problem of aesthetic ineffability by putting it into historical perspective. Section 2 specifies the kinds of questions that may be raised with regard to aesthetic ineffability, as well as the kinds of answer each one of those questions would require. Section 3 investigates arguments that seek to locate aesthetic ineffability within the (...)
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  • Música e linguagem em Adorno.Fernando de Moraes Barros - 2015 - Dissertatio 41:209-228.
    Trata-se, no presente artigo, de tentar lançar uma nova luz sobre a relação entre música e linguagem a partir dos Escritos musicaisde Th. W. Adorno e, em especial, a partir do “Fragmentosobre música e linguagem”, que abre a coletânea Quasi una fantasia. Levando em conta a singularidade da compreensão adorniana acerca do desenvolvimento do moderno material musical, esperamos, ademais, levantar uma hipótese de interpretação aparentemente estranha à cautela crítica de Adorno frente à confluência impensada entre a música e outros regimes (...)
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  • Ao som do emaranhamento: a música e o discurso filosófico sobre as artes.Fernando R. De Moraes Barros - 2012 - Kriterion: Journal of Philosophy 53 (125):195-229.
  • "Consciousness". Selected Bibliography 1970 - 2004.Thomas Metzinger - unknown
    This is a bibliography of books and articles on consciousness in philosophy, cognitive science, and neuroscience over the last 30 years. There are three main sections, devoted to monographs, edited collections of papers, and articles. The first two of these sections are each divided into three subsections containing books in each of the main areas of research. The third section is divided into 12 subsections, with 10 subject headings for philosophical articles along with two additional subsections for articles in cognitive (...)
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