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  1. Consciousness, Non-conscious Experiences and Functions, Proto-experiences and Proto-functions, and Subjective Experiences.Ram L. P. Vimal - 2010 - Journal of Consciousness Exploration and Research 1 (3):383-389.
    A general definition of consciousness that accommodates most views (Vimal, 2010b) is: “ ‘consciousness is a mental aspect of a system or a process, which is a conscious experience, a conscious function, or both depending on the context and particular bias (e.g. metaphysical assumptions)’, where experiences can be conscious experiences and/or non-conscious experiences and functions can be conscious functions and/or non-conscious functions that include qualities of objects. These are a posteriori definitions because they are based on observations and the categorization.” (...)
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  • Tearing apart the Zagreus myth: A few disparaging remarks on Orphism and original sin.Radcliffe G. Edmonds Iii - 1999 - Classical Antiquity 18 (1):35.
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  • Building Beauty: Kantian aesthetics in a time of dark ecology.K. August - unknown
    In the aftermath of a normalized Foucaultian world with an all encompassing web of biopower, one remaining hope is to cultivate nimbleness. Nimbleness is an embodied aesthetic sensitivity to the material presence. Cultivating nimbleness is a particular style of cultivation; it is to willfully gather together one’s self in the wake of a formative force far richer than the derivative web of living power relationships of human embeddness within a horizon of social, economical, political and historical subjectivating power relations; which (...)
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  • Star music: the ancient idea of cosmic music as a philosophical paradox.E. Heyning - manuscript
    This thesis regards the ancient Pythagorean-Platonic idea of heavenly harmony as a philosophical paradox: stars are silent, music is not. The idea of ‘star music’ contains several potential opposites, including imagination and sense perception, the temporal and the eternal, transcendence and theophany, and others. The idea of ‘star music’ as a paradox can become a gateway to a different understanding of the universe, and a vehicle for a shift to a new – and yet very ancient – form of consciousness. (...)
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  • Natural drift and the evolution of culture.William I. Thompson - 2007 - Journal of Consciousness Studies 14 (11):96-116.
  • Poltergeist: quem tem medo de φαντάσματα?Reina Marisol Troca Pereira - 2016 - Revista de Estudios Clásicos 43:211-232.
    El presente artículo contiene breves observaciones con respecto a la mitología como elemento recurrente en la Antigüedad Clásica. Además de suministrar realidades y acontecimientos inauditos, la paradoxografía también nos ofrece episodios de apariciones fantasmagóricas. Una mirada más atenta sobre Mirabilia 1-3, de Flegón, provee información relativa a fenómenos sobrenaturales en el mundo griego antiguo.
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