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Alexander Rueger & Sahan Evren (2005). The Role of Symbolic Presentation in Kant's Theory of Taste.

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  1.  2
    Systematicity and Symbolisation in Kant's Deduction of Judgements of Taste.Alexander Rueger - 2011 - Hegel Bulletin 32 (1-2):232-251.
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  2. Kant's Aesthetics: Overview and Recent Literature.Christian Helmut Wenzel - 2009 - Philosophy Compass 4 (3):380-406.
    In 1764, Kant published his Observations on the Feeling of the Beautiful and the Sublime and in 1790 his influential third Critique , the Critique of the Power of Judgment . The latter contains two parts, the 'Critique of the Aesthetic Power of Judgment' and the 'Critique of the Teleological Power of Judgment'. They reveal a new principle, namely the a priori principle of purposiveness ( Zweckmäßigkeit ) of our power of judgment, and thereby offer new a priori grounds for (...)
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    Beautiful Surfaces: Kant on Free and Adherent Beauty in Nature and Art.Alexander Rueger - 2008 - British Journal for the History of Philosophy 16 (3):535 – 557.
  4. Kant on the Normativity of Taste: The Role of Aesthetic Ideas.Andrew Chignell - 2007 - Australasian Journal of Philosophy 85 (3):415 – 433.
    For Kant, the form of a subject's experience of an object provides the normative basis for an aesthetic judgement about it. In other words, if the subject's experience of an object has certain structural properties, then Kant thinks she can legitimately judge that the object is beautiful - and that it is beautiful for everyone. My goal in this paper is to provide a new account of how this 'subjective universalism' is supposed to work. In doing so, I appeal to (...)
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    Kant-Bibliographie 2005.Margit Ruffing - 2007 - Kant-Studien 98 (4):487-550.
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