In Matter and Memory, Bergson identifies a problem with perception and resolves it by arguing that matter is an aggregate of images. However, it is unclear whether and how Bergson justifies this thesis, and interpreters differ considerably on this question. This paper formulates and analyzes Bergson’s arguments for this thesis in Chapter 1 of Matter and Memory. Bergson presents five arguments, some of which echo arguments in early modern philosophy. They jointly compose a substantive, well-structured defense of his thesis. This (...) paper also illuminates an aspect of Bergson’s method that departs from his famous reliance on intuition and is grounded in his conception of the clarity required in philosophy. (shrink)

This paper explores the influence of Henri Bergson’s (1859–1941) philosophy of time on three early twentieth-century British philosophers: Karin Costelloe-Stephen (1889–1953), Hilda Oakeley (1867–1950), and May Sinclair (1863–1946). I demonstrate that three central claims of Bergson’s account of temporal experience (novelty, memory, and indivisibility) were creatively incorporated into their accounts of time. All these philosophers place time at the centre of their philosophical systems, so this study of their views on time and temporality can deepen our understanding of their systems (...) more broadly. Further, this study helps us appreciate the reception of Bergson’s thought in British philosophy after it was ferociously attacked by Bertrand Russell in 1912, and can provide more detailed contours on the joint fortunes of temporal experience and Bergson's thought in the history of twentieth-century philosophy. I conclude by emphasizing reasons why contemporary philosophers should pay particular attention to the three figures’ treatment of Bergson. (shrink)

The aim of this paper is to demonstrate that adjusting Stump and Kretzmann’s “atemporal duration” with la durée, a key concept in the philosophy of Henri Bergson, can respond to the most significant objections aimed at Stump and Kretzmann’s re-interpretation of Boethian eternity. This paper deals with three of these objections: the incoherence of the notion of “atemporal duration,” the impossibility of this duration being time-like, and the problems involved in conceiving it as being related to temporal duration by a (...) relation of analogy. I conclude that “atemporal duration” — when combined with Bergson’s durée to become an “atemporal durée” — is a coherent understanding of divine eternity. (shrink)

Philosophical theories that take analysis as their methodological centerpiece compare objects and events by setting them in individual relations to one another. For Bergson, this privileging of discontinuity, which requires picking the processes of change apart, is driven by the adaptive needs of our species but does not probe into the essence of reality. For him, the ontological point of departure is not a series of discrete states or events, but rather the temporal continuity in which they flow: a qualitative (...) multiplicity he refers to as durée. In this article, I will examine the echoes of Bergson's theory of durée in two inaugural figures of architectural modernism: the Catalan Antoni Gaudí and the Austrian Adolf Loos. The deep consonance between Gaudí and Loos, all the more surprising given their antithetical aesthetics, offers a view of architecture as the framing of an unbounded flux. This is what I have called the durational life of their respective cities, captured in a state of permanent self-transformation. (shrink)

This paper draws upon the work of three different philosophers, from America (Thomas Nagel), France (Henri Bergson) and Britain (Alfred North Whitehead), to argue for (i) the reality of subjectivity, (ii) the nonphysical nature of subjective consciousness that is dependent upon but not determined by the physical nature of the body, and (iii) the potential unity of a new concept of nature-on-the-move, as distinct from the bifurcation of nature that views only the objective as real. It then presents arguments for (...) new understandings of positivism, interpretivism and the critical stance, in a unified and more coherent frame, going beyond Habermas, Foucault and Bourdieu, to a more fundamental understanding of the philosophical context, situating IS within a more inclusive concept of nature. (shrink)