In the course of the last 30 years, feminist theories of gender have shifted from quasi-Marxist, labor-centered conceptions to putatively ‘post-Marxist’ cultureand identity-based conceptions. Reflecting a broader political move from redistribution to recognition, this shift has been double edged. On the one hand, it has broadened feminist politics to encompass legitimate issues of representation, identity and difference. Yet, in the context of an ascendant neoliberalism, feminist struggles for recognition may be serving less to enrich struggles for redistribution than to displace (...) the latter. Thus, instead of arriving at a broader, richer paradigm that could encompass both redistribution and recognition, feminists appear to have traded one truncated paradigm for another – a truncated economism for a truncated culturalism. This article aims to resist that trend. I propose an anaysis of gender that is broad enough to house the full range of feminist concerns, those central to the old socialistfeminism as well as those rooted in the cultural turn. I also propose a correspondingly broad conception of justice, capable of encompassing both distribution and recognition, and a non-identitarian account of recognition, capable of synergizing with redistribution. I conclude by examining some practical problems that arise when we try to envision institutional reforms that could redress gender maldistribution and gender misrecognition simultaneously. (shrink)

The aim of this paper is to provide an interpretation for Sartre’s account of the unity of consciousness in The Transcendence of the Ego. I will argue that it is only once The Transcendence of the Ego is read alongside other texts written around the same time, such as The Imaginary, that we can understand how Sartre believes it is possible for consciousness to be unified without an I. I begin by setting out the Kantian context that Sartre develops for (...) his views, before looking at Sartre’s arguments themselves. I then turn to some of the difficulties other readers have encountered with making sense of the arguments of the Transcendence of the Ego. I argue that it is only in relation to Sartre’s account of what he calls the illusion of immanence in The Imaginary, that we can make sense of Sartre’s account of consciousness, before reconstructing what I take to be Sartre’s position drawing on Sartre’s references to Bergson and Spinoza. (shrink)

Despite Jean-Paul Sartre and Cornelius Castoriadis placing the imagination centre stage in their respective conceptual theories, little work has been done to bring them into conversation on this issue or, indeed, any other. This is perhaps not surprising given Sartre’s early work on this topic has tended to be downplayed in favour of his affirmation of freedom, while Castoriadis not only denigrates Sartre’s thinking generally and his account of the imagination specifically but also posits their relationship as one of opposition. (...) In contrast, this article brings them into conversation on the question of the imagination to call into question Castoriadis assessment of their relation. To do so, I outline Sartre’s position in The Imaginary, showing that Castoriadis assessment of Sartre’s notion is based on a problematic, if common, misunderstanding of Sartre’s notion of nothingness and its relationship to creativity. Having overcome the opposition that Castoriadis affirms between their respective positions, I argue that, while there certainly are differences between their positions, there are also important points of agreement and overlap between them, especially regarding the constitutive role that the imagination plays for consciousness, and the relationships between the imagination and freedom and the imagination and creativity, that point to a shared and original approach. (shrink)

ABSTRACTIt has become standard to treat Kant’s characterization of pure apperception as involving the claim that questions about what I think are transparent to questions about the world. By contra...

In this paper, I explore the ontological implication of Sartre’s and Heidegger’s phenomenological accounts of emotion. I start by looking at Sartre’s notion of the ‘magical world’ in his booklet Sketch for a Theory of the Emotions, showing how emotion, for him, reveals the overall structure of ‘human reality’ rather than a dispensable aspect of it. Discussing experiences of the magical world allowed Sartre to ‘bracket’ what he called ‘the determinism of the world’, which predominated naturalist-representationalist psychology of emotion in (...) his time. Then I derive from Sartre’s account of emotion an ontological implication, i.e., that the world is primarily magical. Without at once deciding whether this applies to Sartre, I exhibit how radical it can get by examining Heidegger’s more consistent account of emotion in Being and Time. There, it turns out that the determinist, neutral world championed by representationalism relies on an ‘emotionless emotion’ and thus is not fundamental. Finally, I suggest that, while textual evidences in Sketch for a Theory of the Emotions are inconsistent and allow a strong and a weak interpretation of its ontological implication, the former should be favored in consideration of Sartre’s later development. (shrink)

Jean-Paul Sartre’s early phenomenological texts reveal the complexity of his relationship to Edmund Husserl. Deeply indebted to phenomenology’s method as well as its substance, Sartre nonetheless confronted Husserl’s transcendental turn from Ideas onward. Although numerous studies have focused on Sartre’s points of contention with Husserl, drawing attention to his departure from Husserlian phenomenology, scholars have rarely examined the way in which Sartre engaged and responded to the early Husserl, particularly to his discussions of intentionality, consciousness, and self in Logical Investigations. (...) This essay focuses on Sartre’s critical response to Logical Investigations, arguing that Husserl’s understanding of these three notions shapes and informs Sartre’s own approach to them in The Transcendence of the Ego, “Intentionality: A Fundamental Idea of Husserl’s Phenomenology”, and Being and Nothingness. By carefully reading Sartre side by side with Husserl, this essay arti... (shrink)

This article offers a reading of Jean-Paul Sartre’s phenomenology in light of Jean-Luc Marion’s more recent phenomenology. It may seem odd to compare Sartre to Marion, given that Sartre is well-known for his avowed atheism and his account of intentionality while Marion is primarily known for his work on religious phenomena and counter-intentionality. However, this article shows that there are many ways in which Sartre anticipates Marion’s work on phenomenological reduction and excessive phenomenality. By reading Sartre’s phenomenology in light of (...) Marion’s, and particularly Sartre’s analysis of the viscous slime in Being and Nothingness in relation to Marion’s account of ‘saturated phenomena’, this article presents a fresh interpretation of Sartre as a phenomenologist who has invaluable insights not only on the structures of consciousness and phenomenality, but also for the contemporary theoretical interest in the relationship between human and nonhuman entities. (shrink)

This article offers a comparative reading of the ontologies of David Bentley Hart and Jean-Paul Sartre as well as their respective appeals to phenomenology as a philosophical method. While it may seem odd to compare one of the twentieth century’s most celebrated atheists with one of contemporary Christianity’s most highly-acclaimed critics of atheism, this article shows that there are many surprising parallels between the ontological outlooks of Hart and Sartre, namely their conceptions of God as the unity of being and (...) consciousness and their accounts of human consciousness as a desire to ‘become God’. By examining the similarities and differences between Sartre’s and Hart’s philosophical and theological works, this article seeks to highlight the phenomenological aspects of Hart’s theological outlook and consider how Hart’s appeal to the phenomenological analysis of intentional consciousness in his theological work can illuminate our understanding of the ongoing engagements between theology and phenomenology. (shrink)

Informed by the investigative thrust of phenomenological inquiry and the ‘phenomenology of intersubjectivity’, the overarching aim of this article is to provide an accurate illumination of the experience of being diagnosed with a psychiatric disorder, and thus being ‘a labelled individual’. This article is based on research that sought to understand the impact of the psychiatric label upon labelled individuals interpersonal and intersubjective presence as experienced outside the psychiatric institution. The principle question asked was: “What is the experience of being (...) a labelled individual in the world?”. It was discovered that psychiatric labelling unfolds as a disconnection and dislocation from co-existence with others. Moreover, labelling had the effect of robbing such individuals of their subjectivity, rendering them lonely, misunderstood and viewed as somehow defective, disabled and wrong. Indo-Pacific Journal of Phenomenology , Volume 3, Edition 1, November 2003. (shrink)

This paper is an exploration of the Cartesian paradigms of clarity and univocity and how these inform contemporary educational theory and practice. Phenomenology is discussed as a way of disrupting Descartes' visions of clarity and distinctness as paradigms of knowledge and as a return of inquiry to life as it is actually lived. Analogical discourse is examined as a way of giving a voice to this sort of inquiry. Heidegger's notions of inquiry as obedience and thanksgiving are discussed.

In this article, I argue against a widespread misconception concerning the nature of things in Sartre’s philosophy. Sartre’s conception of the nature of things concerns the idea that outside of consciousness a single undifferentiated mass of brute being exists which is divided into definitive things by consciousness. I propose a different reading of Sartre’s realism. Such a reading is based primarily on Nausea, Being and Nothingness and Consciousness of Self and Knowledge of Self states that, contra common conception, there is (...) no brute being outside of consciousness, but rather, a vast multitude of different things. (shrink)

ABSTRACTIn this article I argue that Sartre’s notions of nothingness and “negatity” are not, as he presents it, primarily reactions to Hegel and Heidegger. Instead, they are a reaction to an ongoing struggle with Husserl’s notion of intentionality and related notions. I do this by comparing the criticism aimed at Husserl in Sartre’s Being and Nothingness to that presented in his earlier work, The Imagination, where he discusses Husserl more elaborately. Furthermore, I compare his criticism to Husserl’s own criticism of (...) the “doctrine of immanent objects”, in order to show that Sartre’s notion of nothingness is a continuation of Husserl’s criticism, and that he turns Husserl’s own arguments against himself. (shrink)

This article develops a new way of understanding the integration of emotions in practical life and the practical appraisal of emotions, drawing on insights from both J-P. Sartre and R. G. Collingwo...

In this paper we explore the notion of rehearsal as a way to develop an embodied and enactive account of imagining. After reviewing the neuroscience of motor imagery, we argue, in the context of performance studies, that rehearsal includes forms of imagining that involve motor processes. We draw on Sartre’s phenomenology of imagining which also suggests that imagining involves motor processes. This research in neuroscience and phenomenology, supports the idea of an embodied and enactive account of imagination.

The intuition that knowledge is more valuable than true belief generates the value problem in epistemology. The aim in this paper is to focus on the intuitive notion of knowledge itself, in the context of the value problem, and to attempt to bring out just what it is that we intuitively judge to be valuable. It seems to me that the value problem brings to the fore certain commitments we have to the intuitive notion of knowledge, which, if we take (...) seriously, reveal that we actually think of knowledge as an irreducible factive mental state. (shrink)

The problem of narrative validity is discussed in reference to psychologists' criticisms of verbal report data and in dialogue with Jean-Paul Sartre's understanding of self-knowledge in general and of self-deception in particular. Sartre's notion of "purifying reflection" is invoked as a way of seeing through the distortions and deceptions inherent in narrative accounts of lived experience. Excerpts from empirically-based phenomenological investigations of desire and sexual compliance will be used as illustrations of both the content and process of phenomenologically-based narrative research.

Paradigmatically led by existential phenomenological premises, as formulated by Jean-Paul Sartre and Edmund Husserl specifically, this paper aims at a deconstruction of the value of psychiatric labelling in terms of the implications of such labelling for the labelled individual’s experience of freedom as a conscious imperative. This work has as its intention the destabilisation of labelling as a stubborn and inexorable mechanism for social propriety and regularity, which in its unyielding classificatory brandings is Indo-Pacific Journal of Phenomenology , Volume 2, (...) Edition 1, April 2002. (shrink)

ABSTRACT It is easy to think of consciousness as a medium, with two teams of philosophers disagreeing over whether the medium is transparent or translucent. G. E. Moore's “Refutation of Idealism” is still enlisted in defense of transparence, and Thomas Nagel's “What Is It Like to Be a Bat?” is still used to motivate translucency. I argue against both of these familiar interpretations of these articles and proceed to defend the very first response to Moore's article: James's insistence that consciousness, (...) construed as a transparent or translucent medium, just does not exist. Finally, and quite surprisingly, by refusing to treat consciousness as any sort of medium, James is able to account for how easy it is, and yet how difficult it is, to escape our insipid existence. (shrink)

At least since Anaximander’s apeiron, there have been philosophical questions about what, if anything, preceded the gods. But, as far as I know, the precise question that I address in this essay was first explicitly asked by Ronald W. Hepburn, in his essay ‘Restoring the Sacred: Sacred as a Concept of Aesthetics’. In his essay, Hepburn is interested in the actual and potential relationships between religious and aesthetic uses of the concept of the sacred. Which leads him to the question: (...) Does the concept have a valid meaning – an aesthetic meaning, say – that is logically independent of (and therefore might have preceded) the religious one, which seems most strongly associated with the metaphysical belief that God or the gods exist? In other words, is the sacred older than the gods? While he does not provide a definitive answer, Hepburn adumbrates his view on whether this claim is correct. In this essay, I set out my own answer within the guidelines that Hepburn’s sketch has laid out. (shrink)

This dissertation reassesses the complex philosophical relationship between Sartre and psychoanalysis. Most scholarship on this topic focuses on Sartre’s criticisms of the unconscious as anathema both to his conception of the human psyche as devoid of any hidden depths or mental compartments and, correlatively, his account of human freedom. Many philosophers conclude that there is little common ground between Sartrean existentialism and psychoanalytic theory. I argue, on the contrary, that by shifting the emphasis from concerns about the nature of the (...) unconscious to questions about the role of imagination in psychical life, we can see that Sartre and Freudian-Lacanian psychoanalytic theory develop strikingly similar accounts of human subjectivity. After establishing the historical background of Sartre’s career-long engagement with psychoanalysis, I demonstrate the proximity of Sartre and Lacan on the nature of unconscious thought. I proceed to develop the claim that there is a homology between the concept of unconscious fantasy in psychoanalysis and the concept of the imaginary in Sartre’s philosophical corpus. Despite the concept of fantasy being one of the more structuralist-inspired aspects of Lacan’s metapsychology, I show that Sartre’s concept of the imaginary is likewise a structural feature of the psyche, one which establishes the coordinates within which the subject engages with the world. For Sartre, Freud, and Lacan fantasies form the core of subjectivity, giving form to the basic patterns of one’s character. Taken together, these three thinkers furnish a nuanced view of fantasy/the imaginary. On the one hand it is determining insofar as it is responsible for many of the psychopathologies met with in psychoanalysis. On the other hand, it is liberating insofar as the agency of the subject is implicated in the formation of fantasy. I thereby show that Sartre does not fit the caricatured picture of a radical voluntarist that is often attributed to him and that psychoanalysis can accommodate a conception of human freedom. (shrink)

The incompleteness of meaning and the finitude of understanding suggest that the subject matters of understanding are mysteries rather than problems. Mysteries are not subject to the methodological solutions problems are. A problem denotes a difficulty demanding a solution. Mysteries however can only be understood more deeply. They are not to be explained away but are to be discerned as an ever-present limit to our understanding. They invoke an apprehension of a radical limitlessness. I had the good fortune of supervising (...) John’s thesis—a mysterious venture to be sure, because when we started, neither the path nor the destination were clear. In this editiorial I preface John's latest installment of his serialization of The Case of the Disappearing/Appearing Slow Learner: An Interpretive Mystery. Part Four: Quaint Notions of Justice. (shrink)

This paper is a short reflection on the nature of hermeneutics and the strange joy and burden of writing. It focuses on a particular form of hesitancy, telling, and re-telling found in a short video clip featuring Christopher Hitchens.

This article is an introduction to the subsequent one by Jodi Latremouille's "My Treasured Relation." It demonstrates that hermeneutic work is always about the application of particular cases to universals, demanding of universals to listen to the difference that the case portends.