Though Machiavelli is famous for advising the mere ‘appearance’ of certain Christian and classical virtues (P XVIII), Machiavellian virtù inherits the legacy (though neither the content nor the telos) of the Christian virtue of humility, a virtue that is not present in pagan Roman accounts of heroism. I am not contending that Machiavelli is a Christian nor that he is continuing a Christian principle. Rather, I am asserting in this article that Machiavelli secularises the distinctly Christian virtue of humility, particularly (...) in its affinity with the virtue of compassion, and that this is particularly true in his Discourses on Livy. To demonstrate how this is so, I compare Machiavelli's treatment of the Roman hero Brutus in the Discourses on Livy to the retelling of the life of Rome's liberator in Augustine's City of God. (shrink)

This paper offers a composite portrait of the concept of magnanimity in nineteenth-century America, focusing on Ralph Waldo Emerson, Margaret Fuller, and Henry David Thoreau. A composite portrait, as a method in the history of philosophy, is designed to bring out characteristic features of a group's philosophizing in order to illuminate characteristic features that may still resonate in today's philosophy. Compared to more standard methods in the historiography of philosophy, the construction of a composite portrait de-privileges the views of individual (...) authors. These philosophers saw the virtue of magnanimity as a remedy for a number of modern ills. American philosophers suggest that the best sort of magnanimity is acquired by adopting the correct relation to the natural world, including new forms of inquiry, or by adopting a life of voluntary poverty. Magnanimous individuals are critics of capitalism and offer themselves as exemplars of a better, experimental life. (shrink)