Given the sharp distinction that follows from Hume’s Fork, the proper epistemic status of propositions of mixed mathematics seems to be a mystery. On the one hand, mathematical propositions concern the relation of ideas. They are intuitive and demonstratively certain. On the other hand, propositions of mixed mathematics, such as in Hume’s own example, the law of conservation of momentum, are also matter of fact propositions. They concern causal relations between species of objects, and, in this sense, they are not (...) intuitive or demonstratively certain, but probable or provable. In this article, I argue that the epistemic status of propositions of mixed mathematics is that of matters of fact. I wish to show that their epistemic status is not a mystery. The reason for this is that the propositions of mixed mathematics are dependent on the Uniformity Principle, unlike the propositions of pure mathematics. (shrink)

Hume views the passions as having both intentionality and qualitative character, which, in light of his Separability Principle, seemingly contradicts their simplicity. I reject the dominant solution to this puzzle of claiming that intentionality is an extrinsic property of the passions, arguing that a number of Hume’s claims regarding the intentionality of the passions (pride and humility in particular) provide reasons for thinking an intrinsic account of the intentionality of the passions to be required. Instead, I propose to resolve this (...) tension by appealing to Hume’s treatment of the ‘distinctions of reason’, as explained by Garrett (1997). (shrink)

Hume’s Dialogues give one of the most elegant presentations of the Problem of Evil ever written. But often overlooked is that Hume’s problematic takes the form of a dilemma, with the traditional Problem representing only one horn. The other is what Hume calls “mysticism,” a position that avoids the Problem of Evil by maintaining that God is wholly other, and that God is therefore good in a fashion that mere humans simply cannot fathom. Mysticism is not the denial of God’s (...) moral perfection defended by Philo’s positing of an indifferent deity. Nor is it an ad hoc final theistic entrenchment meant to stave off the Problem of Evil at any cost. Mysticism is, in fact, a position that Hume takes quite seriously and helped shape theism as it was practiced in Hume’s day. This paper studies Hume’s relationship with mysticism. First, it will recast the Problem of Evil as Hume intended, as only part of the larger theistic dilemma of choosing between anthropomorphism and mysticism. Once this polarization is understood and the respective consequences of the adopting either of the two opposites is traced out, I locate Hume’s “genuine theism” as significantly lying between these two extremes. (shrink)

David Hume’s and later Ludwig Wittgenstein’s views on concepts are generally presented as standing in stark opposition to each other. In a nutshell, Hume’s theory of concepts is taken to be subjectivistic and atomistic, while Wittgenstein is metonymic with a broadly pragmatistic and holistic doctrine that gained much attention during the second half of the 20th century. In this essay, I shall argue, however, that Hume’s theory of concepts is indeed much more akin to the views of Wittgenstein and his (...) epigones than many, including Wittgenstein himself, probably might have suspected. As I try to show, Hume anticipates many themes central to Wittgenstein’s writings on language and meaning, and actually takes initial steps towards both an anti-subjectivistic and anti-atomistic psychology and epistemology. (shrink)

El trabajo estudia la teoría humeana de la creencia en vistas a una caracterización preliminar de la noción de ficción dentro de su teoría y a un vínculo con sus tesis estéticas, especialmente con la posibilidad de apreciar una obra de arte y de poder tener una respuesta emotiva a ella. Para ello, en primer lugar, caracterizamos la noción de creencia y la de ficción en relación a la imaginación. En segundo lugar, discutimos la noción de “sistema poético” y su (...) relevancia a la hora de aportar a la ficción la vivacidad necesaria para constituir una experiencia estética agradable. El propósito principal es ubicar a Hume dentro del debate contemporáneo en torno a la “paradoja de la ficción”, bajo el supuesto de que tal inserción podría implicar algún aporte de relevancia teórica. (shrink)

I intend to discuss Hume’s theory of personal identity in Books I and II of the Treatise of Human Nature. First, I intend to argue that Hume’s distinction between a ‘personal identity with regard to thought and imagination’ and a ‘personal identity with regard to passions and self-interest’ is only methodological, not radical. That is, the philosopher does not sug-gest the existence of two distinct ideas of personal identity in mind. Secondly, I try to show the contribution of the passions (...) of pride and humility to the production of a belief in personal identity. Pride and humility contribute to the liveliness of this belief by producing the person’s interest in his sensations and actions of the past and the future. Thirdly, I want to show how passions and self-interest make it possible to explain the corporeal aspect of the belief in personal identity. I propose to discuss how the body and its qualities can be understood as constituent elements of the notion of personal identity. (shrink)

The paper advances the hypothesis that David Hume’s philosophy explains the corporeal dimension of the self, particularly, one’s belief in a body as being ‘her own body’, as a part of one’s self, in light of three different perspectives: through the operations of the imagination, the associative principles and the perception of mental and physical parallel states; through the occurrence of certain passions in the mind, particularly, pride, humility, and self-interest which direct one’s attention to a body that is felt (...) to be her own body; through the consciousness of the ability of the will to guide the power of moving certain parts of the body. Finally, it is argued that the mental phenomenon of belief in one's own body is a mutual construction of the human mind, that is, it is produced simultaneously by intellectual, affective, and volitional operations. (shrink)

Traditionally one main emphasis of the quantum mechanical measurement theory is on the question how the pure state of the compound system 'measured system + measuring apparatus' is transformed into the 'mixture' of all possible results of that measurement, weighted with their probability: the so-called “disappearance of the interference terms”. It is argued in this note that in reality there is no such transformation, so that there is no need to account for such a transformation theoretically. _German_ Gewöhnlich liegt ein (...) Hauptgewicht der quantenmechanischen Messtheorie auf der Frage des Übergangs vom,reinen Fall' des Gesamtsystems,gemessenes System + Messgerät' in das,Gemenge' aus allen möglichen Messergebnissen, gewichtet mit ihren Wahrscheinlichkeiten: Das sog.,,Verschwinden der Interferenzterme“. In dieser Notiz wird die Meinung vertreten, dass es einen solchen Übergang faktisch nicht gibt, so dass es nicht notwendig ist, eine theoretische Erklärung für den Übergang zu geben. (shrink)

Resumen: Ante las críticas insistentes a la distinción entre el empirismo y el racionalismo, se han propuesto alternativas para comprender de manera más adecuada el quehacer de los filósofos modernos. Entre ellas está la distinción entre filosofía especulativa y experimental. Intentaré evaluar la validez de esta distinción para la filosofía moral experimental del siglo XVIII y, en particular, para la propuesta de Hume. Mostraré que si la distinción se entiende en términos excluyentes, resulta inapropiada porque el mismo Hume plantea que (...) la especulación es lo que define a la filosofía. Además, antes que considerarlas como excluyentes, el filósofo escocés propone una conciliación entre la práctica de la experimentación y la teorización. Por último, sostendré que aquello que Hume considera como “falsa filosofía” no puede entenderse como sinónimo de filosofía especulativa.: A persistent criticism of the distinction between empiricism and ra-tionalism has provoked the emergence of new distinctions in order to under-stand modern philosophy in a more adequate way. One of those distinctions is that between speculative and experimental philosophy. My aim is to evalu-ate the validity of this distinction for eighteenth-century experimental moral philosophy in general and for Hume’s thought in particular. I will show that if this distinction is understood in exclusive terms, then it cannot be adequate because Hume himself states that speculation is what defines philoso-phy. Hume also proposes a reconciliation between experimental practice and theoretical activity instead of considering that they are mutually exclusive. Finally, I will make clear that what Hume condemns as “false philosophy” is not a synonym for speculative philosophy. (shrink)

In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...) to a long-held reading, the control that the will has over doxastic states in Descartes’s theory is direct; the doxastic states are affected by the mere act of will. This reading is called direct doxastic voluntarism (DDV), or direct voluntarism (DV) for short, and it states that we are capable of assenting, rejecting and suspending a judgment based only on our will to do so. Thus, these actions would be utterly and merely volitional. DV can be divided into two further positions, direct positive voluntarism (+DV) and direct negative voluntarism (-DV). Direct positive voluntarism deals with the act of forming judgments, maintaining that one can accept or deny a proposition wilfully and either merely believe or not believe something voluntarily. Direct negative voluntarism deals with the suspension of judgment, maintaining that it can likewise be accomplished by a simple act of will. However, I support an alternate account of Descartes’s voluntarism, which is called indirect doxastic voluntarism (IDV), or indirect voluntarism (IV) for short. By this account, the will is capable of affecting a doxastic state indirectly by making one concentrate on essential tasks for forming that state, such as gathering up and paying attention to strong reasons and evidence. IV is also possible to divide into indirect positive voluntarism (+IV) and indirect negative voluntarism (-IV). Per indirect positive voluntarism the will needs to pay attention to reasons for accepting or denying some proposition. Likewise, by indirect negative voluntarism, in order to suspend judgment the will needs to direct this attention to the reasons for doubt. By attending to these reasons, the will also comes face-to-face with its own freedom. This feeling of freedom can be described as affectivity of the reasons for belief (assent) and doubt (suspension). (shrink)

Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...) maintain our power to act in a variety of ways. Humans need such objects because our complex bodies constantly lose or consume many parts necessary to our overall functioning. Notably, Spinoza defines humans’ bodies through this complexity (2p13Sch), so health as maintenance of complexity is a distinctly human endeavor. Further, while art is not the only healthy activity, I argue that art is a particularly potent cure, which explains Spinoza’s otherwise opaque comment that music can cure melancholy (by which he meant a near-total inability to act, akin to death). Rather than only causing frivolous pleasures, art may be as essential to human flourishing as are other human beings in general; other people are “most useful” because of the variety of actions they make possible (4p35Cor & Sch1). Art’s production of a dizzying variety of affects is likewise most useful for health. -/- Having established how art in general affects the individual, I then explain the role of artists in shaping social groups. Artists use vivid and highly charged affective techniques, as do political sovereigns and religious prophets (TTP chapters 1-2 & 15-16). However, sovereigns and prophets are concerned exclusively with “morality,” defined by Spinoza as the use of affects (primarily based on fear and hope) to produce “obedience” in the generic multitude or people at large. An artist, however, rarely causes affects in the whole nation, affecting instead only a smaller niche or “sub-genre” of people. The affects produced in this group are also not identical to those used by sovereigns, since artists do not primarily deploy sad affects of hope and fear but instead use a wide variety of joyful affects. Further, in Spinoza’s analysis of ceremonies (TTP chapter 5), we see how small groups exposed to repeated ceremonies or social practices eventually develop new strengths which they lacked before. Repeated exposure to shared aesthetic “ceremonies” (e.g., live music performances) of the same sub-genre will over time create the capacity of new powers in the sub-genre of people, which distinguishes them from the masses. Spinoza says sovereigns forge a “second nature” for the generic people through affects; we can then affirm that smaller groups exposed to a distinct sub-genre of art can acquire a new “third nature” which will contain unique powers extending beyond healthy maintenance of their existing bodies. That is, art in general is necessary to flourish and remain whole (maintaining health), but it can also occasionally expand what one is to unforeseen heights (through specific artistic sub-genres). (shrink)

El artículo realiza una comparación entre Hume y Ortega como autores de historias de la nación. A ello se añade una aproximación entre los dos autores en la medida en que los dos desarrollan teorías de la creencia o convención que constituyen de manera importante la llave metodológica en su visión de la historia. Hume llega a la noción de convención muy tempranamente en el Tratado sobre la Naturaleza Humana, mientras que en el caso de Ortega la aparición de la (...) teoría de la creencia es posterior a la contraposición entre minorías y masa y su muy influyente España Invertebrada. Las diversas crisis de los años '30 le llevan a los conceptos de creencia, de uso e incluso de legitimidad de un orden social. Por ello se puede entender que en Ortega habría una inflexión en su pensamiento por el que, aun defendiendo la unidad europea, entiende que solo desde un concepto de razón narrativa y aceptando las limitaciones de la misma puede situarse el individuo en su momento. Para Hume la Historia de Inglaterra constituye una oportunidad de aplicar conceptos ya trabajados en la primera obra. Es, sin embargo, importante que en la Historia de Inglaterra va a valorar, antes que la propiedad, como en el Tratado, el deber de obediencia. (shrink)