The many definitions of sophistry at the beginning of Plato’s Sophist have puzzled scholars just as much as they puzzled the dialogue’s main speakers: the Visitor from Elea and Theaetetus. The aim of this paper is to give an account of that puzzlement. This puzzlement, it is argued, stems not from a logical or epistemological problem, but from the metaphysical problem that, given the multiplicity of accounts, the interlocutors do not know what the sophist essentially is. It transpires that, in (...) order to properly account for this puzzle, one must jettison the traditional view of Plato’s method of division, on which divisions must be exclusive and mark out relations of essential predication. It is then shown on independent grounds that, although Platonic division in the Sophist must express predication relations and be transitive, it need not be dichotomous, exclusive, or express relations of essential predication. Once the requirements of exclusivity and essential predication are dropped, it is possible to make sense of the reasons that the Visitor from Elea and Theaetetus are puzzled. Moreover, with this in hand, it is possible to see Plato making an important methodological point in the dialogue: division on its own without any norms does not necessarily lead to the discovery of essences. (shrink)

This article examines Plato’s understanding of moderation. I begin with a brief discussion of Plato’s Charmides, the dialogue in which Socrates asks, “What is moderation?” in order to frame a detailed treatment of key passages in Plato’s Republic where we find a definitive answer. I show the progress of the Republic to be an intentional development on Plato’s part, moving readers from a conventional understanding of moderation as mastery to a more compelling ideal: moderation as a harmony of the city (...) and of the soul. Bringing moderation out from under the shadow of justice illuminates the dialogue’s otherwise perplexing presentation of the relationship between these two virtues and helps us to see both the role moderation plays in Plato’s thought, and what his vision might contribute to our own understanding of the virtue. (shrink)

This article updates “The State of the Question in the Study of Plato” (Southern Journal of Philosophy, 1996) based on research covering the years from 1995–2015. Its three major parts examine: (1) how the mid‐twentieth‐century consensus has fared, (2) whether the new trends identified in that article have continued, and (3) identify trends either new or missed in the original article. On the whole, it shows the continuing decline of dogmatic and nondramatic Plato interpretation and the expansion and ramification of (...) the more literary, dramatic, and nondogmatic “new Platonism.” What was a growing insurgency twenty years ago can now be described as a, if not the, dominant approach. (shrink)

This article draws upon the history of teacher education to provide an introduction to 4 competing pedagogical philosophies. These 4 philosophies battled for control over curriculum for teachers during the period from 1890 to 1930. I begin by defining curriculum for teachers to include the liberal, the professional, and the experiential dimensions. Then, I identify 4 interest groups that sought to gain power over curriculum for teachers. I categorize these interest groups as the traditionalists, the integrationists, the technicians, and the (...) romantics. Then, I explain how leading individuals from each interest group answered questions regarding human nature, the purpose of schooling, and curriculum for teachers. Finally, I argue that education schools should revitalize the integrationist tradition within pedagogical philosophy. This view has been forgotten for nearly 50 years, and the profession of teaching has suffered because of it. (shrink)

The question, what measures to address the shortage of transplantable organs are ethically permissible? requires careful attention because, apart from its impact on medical practice, the stance we espouse here reflects our interpretations of human freedom and mortality. To raise the number of available organs, on utilitarian grounds, bioethicists and medical professionals increasingly support mandatory procurement. This view is at odds with the Catechism of the Catholic Church, according to which ‘[o]rgan donation after death is a noble and meritorious act’ (...) but ethically impermissible absent consent. Those who concur with this position, but would oppose conscription on independent philosophical grounds, have not yet found a voice in the Western tradition comparable in strength to the utilitarian basis of the policy’s support, for Kantian and Aristotelian ethics, too, lend themselves to a requirement that we make our organs available to others when they can no longer serve ourselves. One finds an ethical wedge against conscription in an unexpected philosophical locale: the ‘fundamental ontology’ of Heidegger’s Being and Time, where pertinent individual choices arc protectively over what happens post mortem. Heidegger’s perspective on this issue thus meshes, not with other philosophical voices, but with Catholic doctrine—a surprising convergence of atheistic and theistic approaches to our flourishing whose ground I address in the article’s conclusion. (shrink)

There has been a recent surge of interest in ancient accounts of free will. It is surprising, then, that there have been virtually no attempts to discuss whether Plato had such an account. Those who have made an attempt quickly deny that such an account is present in the dialogues. I shall argue that if we draw a distinction between two notions of free will, it is plausible that some account of free will is, in fact, present in the dialogues, (...) the Republic in particular. This is the first in depth search into the question and I demonstrate that the defender of a Platonic free will thesis has more resources than she first appears to. It also has the benefit of giving us an obvious source material for Augustine's discussion. (shrink)

In the Sophist, Plato claims that the philosopher is always engaged through reasonings with the idea tou ontos (254a4–b1). I argue that, contrary to appearances and to what various commentators believe, this phrase does not refer to the Kind Being singled out in the Sophist as one of the so-called ‘greatest’ or ‘most important’ Kinds, but to the whole intelligible realm. The proposed reading better accounts for Plato’s exact wording at Sophist 254a4–b1 and preserves the consistency of Plato’s view on (...) the object of philosophical knowledge. I conclude with some broader considerations on the relationship between this passage, Platonic dialectic and Aristotle’s conception of a science of being qua being. (shrink)

ABSTRACTThe goal of this paper is to challenge the standard view that Socrates of the early Platonic dialogues is an intellectualist with respect to virtue. Through a detailed analysis of the educational theory laid out in the early dialogues, it will be argued that Socrates believes that the best way to cultivate virtues in his interlocutors is not to convince them of ethical truths by way of reason and argument alone, but to encourage them to participate in the practice of (...) virtue. Habit and practice are essential to the cultivation of virtue because they mould the desires and dispositions of the agent and promote a kind of knowledge that cannot be achieved discursively – craft-knowledge. Only when agents have achieved craft-knowledge can they be counted on to act virtuously on every occasion; and craft-knowledge can only be achieved by way of practice and habituation. (shrink)

On Malcolm Schofield’s highly influential reading of the Similarity Regress in Part I of the Parmenides, the problem that the Regress poses is explanatory. Socrates posited the Similarity Form in order to explain why similar things are similar: similar things are similar because they participate in the Form Similarity as copies of the same original. Yet, the Similarity Regress generates an infinite series of Similarity Forms such that explanation is deferred ad infinitum. Schofield provides a philosophical incentive for adopting his (...) reading. He argues that the treatment of similarity in Part II of the dialogue yields a complete explanation of similarity. If we adopt this account, we can avoid the Similarity Regress altogether since a Form of Similarity is not needed in order to explain why similar things are similar. Thus, his interpretation has a hugely important philosophical pay-off. However, there is a different way to read the argument. Socrates claims that each Form is only one. Yet, the Similarity Regress is an argument that generates an infinite series of Similarity Forms. This results in a violation of the principle of non-contradiction: there is both only one Similarity Form and infinitely many Similarity Forms. Yet, anything that is incompatible with the principle of non-contradiction is surely absurd. Nobody, as far as I am aware, has explored whether this reading also has philosophical pay-off if we look at it together with similarity in Part II. However, should this interpretation pay off, it would be a viable alternative to Schofield’s. In this paper, I explore both views in the context of the treatment of similarity in Part II of the Parmenides. I argue for an account of similarity that differs from Schofield’s. Although my account is not wholly dismissive of Schofield’s, it renders the pay-off of Schofield’s account less appealing than he suggests. Furthermore, I show that the account of similarity in Part II also yields important lessons for the proponent of the alternative reading of the Similarity Regress: similarity as treated in Part II simply leads to further infinite regresses, thereby pushing us to consider rejecting the account of similarity in Part II too and to look for some other account intead. (shrink)

Resumen El siguiente artículo propone una interpretación del Hipias Mayor de Platón. A partir del análisis del contexto dramático, de los interlocutores y de la ejecución del diálogo, se destaca el problema de lo bello en sus implicancias ontológicas y éticas. El repetido esfuerzo por determinar lo bello no sólo responde a un problema filosófico fundamental, sino a una intención terapéutica por parte de Sócrates. El desdoblamiento de Sócrates resultará en el fondo ser un recurso por el cual sea posible (...) superar el olvido de la ignorancia que el interlocutor de Sócrates padece.The following paper proposes an interpretation of Plato’s Hippias Major. From the analysis of the dramatic context, the interlocutors and the execution of the dialogue, it highlights the problem of beauty in its ontological and ethical implications. The repeated effort to determine the beautiful not only responds to a fundamental philosophical problem, but to a therapeutic intention by Socrates. The debated splitting of Socrates will be ultimately a resource by which it is possible to overcome the oblivion of the ignorance that the interlocutor of Socrates suffers. (shrink)

This book is a quest for the real Plato, forever hiding behind the veil of drama. The quest, as the subtitle indicates, is Cartesian in that it looks for Plato independently of the prevailing paradigms on where we are supposed to find him. The result of the quest is a complete pedagogical platform on Plato. This does not mean that the book leaves nothing out, covering all the dialogues and all the themes, but that it provides the full intellectual apparatus (...) for doing just that. It consists of two parts. The first is a general orientation in three chapters, one each pertaining to the life, thought, and works of Plato. The second is a dialogic companion covering the four dialogues built around the last days of Socrates, with a separate chapter devoted to each: Euthyphro, Apology, Crito, and Phaedo. (shrink)

Images share a common feature with all phenomena of imagination, since they make us aware of what is not present or what is fictional and not existent at all. From this perspective, the philosophical approach of Kendall Lewis Walton—born in 1939 and active since the 1960s at the University of Michigan—is perhaps one of the most notable contributions to image theory. Walton is an authoritative figure within the tradition of analytical aesthetics. His contributions have had a considerable influence on a (...) broad range of topics, such as the role of categories in the understanding of the arts (Walton, “Categories of Art”. Philosophical Review, 79(3): 334–367, 1970), the ambiguous nature of emotions in the experience of fictional stories (Walton, “Fearing Fictions”. The Journal of Philosophy, 75(1): 5–25, 1978), the transparency of photographic images compared to other depictions (Walton, “Transparent Pictures: On the Nature of Photographic Realism”. Noûs, 18(1): 67–72, 1984) and, above all, the development of a general theory of fiction as imaginative activity. His 1990 book Mimesis as Make-believe: On the Foundations of the Representational Arts collects and re-elaborates articles Walton published on the subject since the 1970s. Though he does not attempt to give a definitive answer for what imagination is, Walton thoroughly investigates its role in all cases of representational works, describing depictions as a specific case of “make-believe” activity: images, in short, are specific props of a visual and perceptual “make-believe” game. (shrink)