This article not only mentions spiritual anarchism nominally, as do so many previous articles, but tries to define it as precisely as possible. The definition assumes that the self itself can be a source of unjustifiable authority and a limitation to freedom, and that spiritual anarchism is nothing more than being open to that which transegoically transcends our narrow perspective. The article critically revisits previous overviews of spiritual anarchism, and itself proposes to take into account traditions that have been neglected. (...) Finally, the article reverses the approach; that is, it considers how some of our spiritual practices can be made more anarchistic, including meditation, the psychedelic experience and the mystical experience. (shrink)

This work positions queer youth suicide as deviant aperture into scandal within divine life through an ‘indecenting’ of kenotic agency located in the Incarnation itself. Refuting a heteronormative gaze that defines queer youth suicide as an expression of pathology, I present a disruptive coming out of God who redeems through scandal by posing these suicides as deaths for others. Drawing from two liberation theologians, I offer a construct of martyrdom within historical contexts of an excess of death that is capable (...) of carrying the weight of their agency within a destructive heteronormative reality. Applying Althaus-Reid’s method of ‘indecenting’ within their last deviant act, both vitiated and vindicated in this kenotic agency of God, queer youth suicide becomes a preferred vehicle of divine delight and reclamation. Although disruptive, this divine eloquence spills out everywhere, cracking open a theological praxis where no one ever falls outside of God, especially in death. (shrink)

Feminists have critiqued assumptions and structures of inter-religious dialogue even as they have acknowledged the need for more feminist presence in this area. Because ecofeminist values span religious differences, exploring a spirituality evident across Christian ecofeminist authors makes a contribution to inter-religious feminist work. A spirituality of openness manifests in four prominent themes which recur across diverse Christian ecofeminist thinkers. Each of these themes arises from a foundational orientation to openness. Relational theories of self are grounded in the openness of (...) fluid identity construction; a stress on personal narrative as a relational way of knowing depends upon the openness of experiencing subjects to each other; an ethic of risk and discernment emphasizes openness in the courage and responsibility required to act within ambiguity; and the openness of receptivity is a prerequisite for engaging the potentially transformative power of beauty. (shrink)

The global crisis is heralding change within collective consciousness and humanity will be challenged to transform behaviors to co-create a sustainable future. Ervin Laszlo's Akashic Field could inspire such an archetypal shift, as exemplified in C.G. Jung's individuation process. Jung's encounters with the archetypes from the collective unconscious led him to connect deeply with Akashic experiences, which resulted in him expressing his human potential through renewed ways of doing and being. Humanity has an opportunity to develop and integrate transpersonal consciousness (...) through engaging archetypal and Akashic experiences, which could inspire collective action for the co-creation of an improved future. (shrink)

This paper is based on a piano piece commissioned by the British and Ireland School of Feminist Theology for its anniversary conference. It interrogates the situations in which the sections of the piece were created through the lens of conceptions of failure. It explores religious experience and identity in mental health contexts and the development of groups associated with Feminist Theology over the past 20 years. It examines the repression of the feminine, the place of anger in religion and therapy (...) and its relation to a theology of the crucifixion and the processes of forgiveness. It integrates poetry into its text and sets out the role of the arts in process theology. (shrink)