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Sociology, religion, and grace

New York: Routledge. Edited by Ann Brooks (2007)

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  1. The Multiple Realities of Paul’s Mystical Experience: A Phenomenological Perspective in the Anthropology of Religion.Marius Ion Bența - 2023 - International Political Anthropology 16 (2):127-143.
    This article is a study on Paul’s mystical experiences using an interpretive framework that relies on multiple grounds: Alfred Schutz’s phenomenology of the “multiple realities” applied to the problem of religion, political anthropology and general scholarship on Paul. The aim of this study is also multiple: I seek to draw an interpretive insight into those mystical experiences that have been traditionally attributed to Paul by using a hermeneutic lens provided by Schutzian phenomenology, to clarify this hermeneutic method as such and (...)
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  • Image-magic in A Midsummer Night's Dream: power and modernity from Weber to Shakespeare.Arpad Szakolczai - 2007 - History of the Human Sciences 20 (4):1-26.
    This article argues that the modern world is not only produced by, and is promoting, processes of rationalization and disenchantment, but is also the site of `enchanting' influences that are genuinely `charming' or `magical'. Such modes of influencing rely increasingly on the power of images, and on theatre-like performances of words or discourses. The impact takes place under conditions that, following Victor Turner's work, could be called `liminal', and which can be turned through `imagemagic' into a state of `permanent liminality'. (...)
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  • In liminal tension towards giving birth: Eros, the educator.Arpad Szakolczai - 2013 - History of the Human Sciences 26 (5):0952695113478242.
    The discussion on the nature of eros (love as sexual desire) in Plato’s Symposium offers us special insights concerning the potential role played by love in social and political life. While about eros, the dialogue also claims to offer a true image of Socrates, generating a complex puzzle. This article offers a solution to this puzzle by reconstructing and interpreting Plato’s theatrical presentation of his argument, making use of the structure of the plays of Aristophanes, a protagonist in the dialogue. (...)
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