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  1. On guilt and post-truth escapism: Developing a theory.Ignas Kalpokas - 2018 - Philosophy and Social Criticism 44 (10):1127-1147.
    This article provides a framework for understanding post-truth politics by employing the ideas of Nietzsche and Schmitt. It posits pre-moral and pre-economic guilt and debt, relating human non-self-sufficiency, at the heart of social and political existence and alleges that guilt and debt are the hey bonds that hold human groupings together. Following Schmitt, romantic attitudes to politics are seen as negating this underlying reality, opting instead for escapist fantasy of self-mastery and unlimited creative potential. The author claims that these promises (...)
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  • Adorno, Benjamin, and Natural Beauty on “This Sad Earth”.Jordan Daniels - 2020 - Journal of Speculative Philosophy 34 (2):159-178.
    While Theodor Adorno is known for his philosophical reconstruction of aesthetic modernism, he also analyzes—and is critical of—the demotion of natural beauty in the hierarchy of aesthetic concerns following Kant. Recent scholars have acknowledged that natural beauty is important in Adornian aesthetics, but many do so in a manner that repeats the subordination of natural beauty and the aesthetic experience of nature to that of art. Against this tendency, in this article I demonstrate that not only does Adorno contest the (...)
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  • La apariencia del fin del mundo puesta en imagen. Sobre la concepción de la fotografía en Walter Benjamin.Rodrigo Baudagna - 2022 - Revista de Filosofía (Madrid) 48 (1):219-235.
    En este trabajo planteo la hipótesis de que las reflexiones de Benjamin sobre la fotografía presuponen la consideración de una dimensión destructiva inherente, en tanto representación del mundo como catástrofe y ruina. Primero abordo la relación entre el concepto de “huella” y la fotografía como escena del crimen. Luego analizo la descripción benjaminiana de una fotografía “constructiva” asociada a la destrucción y la alegoría. Finalmente, propongo la conexión entre la fotografía, la apariencia de ruina apocalíptica y la justicia.
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