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  1. The Artistic Leader : A Philosophical Reflection.Leguy Jean & Sarmiento José Àngel - unknown
    Philosophy, art and leadership have been considered in previous studies, nevertheless rarely have all three been blended in one. The aim of this thesis resided in the attempt to build an unfixed conceptual net, having the ambition to shed light on the innermost parts of the leader; by collecting insights from philosophical notions, the figure of an artistic leader arises. The personal importance of this work was rooted in the hope of a leadership sourced in an inner reflection. Through qualitative (...)
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  • Heidegger’s Temple: How Truth Happens When Nothing is Portrayed.Shane Mackinlay - 2010 - Sophia 49 (4):499-507.
    In his essay The Origin of the Work of Art, Martin Heidegger discusses three examples of artworks: a painting by Van Gogh of peasant shoes, a poem about a Roman fountain, and a Greek temple. The new entry on Heidegger’s aesthetics in the Stanford Encylopedia of Philosophy, written by Iain Thomson, focuses on this essay, and Van Gogh’s painting in particular. It argues that Heidegger uses Van Gogh’s painting to set art, as the happening of truth, in relation to ‘nothing’, (...)
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  • Time, Philosophy, and Literature.A. K. Jayesh - 2019 - Journal of the Indian Council of Philosophical Research 36 (1):183-196.
    The paper focuses on the character of the literary and contends that if, instead of accepting the legitimacy of the question “what is literature?” and trying to answer it, one were to subject the question itself to a critical scrutiny—i.e. in order to lay bare what the question presupposes about the literary—it becomes obvious that any attempt to answer the question by uncritically accepting the legitimacy of the puzzle it puts forward can only give rise to contradictions. For the question (...)
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  • What’s in a Name? The Experience of the Other in Online Classrooms.Cathy Adams - 2014 - Phenomenology and Practice 8 (1):51-67.
    Educational research has explored the potentials and problems inherent in student anonymity and pseudonymity in virtual learning environments. But few studies have attended to onymity, that is, the use of ones own and others given names in online courses. In part, this lack of attention is due to the taken-for-granted nature of using our names in everyday, “face-to-face” classrooms as well as in online learning situations. This research explores the experiential significance of student names in online classrooms. Specifically, the paper (...)
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  • How to Paint Nothing? Pictorial Depiction of Levinasian Il y a in Vilhelm Hammershøi’s Interior Paintings.Harri Mäcklin - 2018 - Journal of Aesthetics and Phenomenology 5 (1):15-29.
    Contemporary phenomenological discussions on relationship between painting and nothingness have mainly employed Sartrean and Heideggerian notions of nothingness. In this paper, I propose another perspective by discussing the possibility of pictorially depicting Levinas’s notion of the nothingness of being, which he develops in his early works in terms of the il y a. For Levinas, the il y a intimates itself in moments like insomnia, where the world as a horizon of possibilities slips away and all there is left is (...)
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  • Aesthetics After Hegel (Volume 1, Number 1, 2012).Evental Aesthetics - 2012 - Evental Aesthetics 1 (1):1-138.
    This issue is dedicated to thinking about art and current aesthetic perspectives through Hegelianism.
     
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  • Art in the Age of Asymmetry: Hegel, Objects, Aesthetics.Timothy Morton - 2012 - Evental Aesthetics 1 (1):121-142.
    Timothy Morton argues that we have entered a new era of aesthetics, an ecological one. In this period, a new phase of art, unpredicted, and unpredictable, by Hegel, comes about. This phase of art is the Asymmetric Phase.
     
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  • Graffiti as Art as Language: The Logic of a Modern Language.Kylie I. Casino - 2019 - Philosophy Study 9 (5).
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  • Bauhaus a Heideggerov Fenomén Odkrývania Pravdy Umeleckého Diela.Katarína Šantová & Lenka Bandurová - 2016 - Espes 5 (1):57-68.
    The paper deals with the possible parallels between Heidegger's aesthetic thinking and aesthetics of the Bauhaus art and design. The authors examine to what extent could philosophy of given period interfere with the development of modern art, while exploring and analyzing different theses of theorists who have expressed on given subject. Heidegger wrote three key texts, which embraced the theory of design. The authors of the paper examine to what extent could Heidegger theses have an impact on contemporary product design.
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  • Can Heidegger's Poetic Saying Account for More Than Great Artworks?Olivier Mathieu - 2017 - Journal of the American Philosophical Association 3 (1):51-68.
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