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Dialogue

Substance 30 (1/2):199 (2001)

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  1. Rethinking Visual Ethics: Evolution, Social Comparison and the Media's Mono-Body in the Global Rise of Eating Disorders.Shiela Reaves - 2011 - Journal of Mass Media Ethics 26 (2):114 - 134.
    This study applies evolution theory to visual ethics and argues that social comparison theory favored by scholars of eating disorders is actually a Darwinian maladaptation to the media's widespread digital manipulation of women's bodies creating the thin ideal. An evolutionary perspective suggests how the media is enmeshed and why social comparison of the mediated ?mono-body? will continue. This study has three sections: 1) evolution theory and morality; 2) social comparison, biology of the social gaze, and anthropological evidence of Western media's (...)
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  • The Evolutionary Significance of the Arts: Exploring the By-product Hypothesis in the Context of Ritual, Precursors, and Cultural Evolution.Derek Hodgson & Jan Verpooten - 2015 - Biological Theory 10 (1):73-85.
    The role of the arts has become crucial to understanding the origins of “modern human behavior,” but continues to be highly controversial as it is not always clear why the arts evolved and persisted. This issue is often addressed by appealing to adaptive biological explanations. However, we will argue that the arts have evolved culturally rather than biologically, exploiting biological adaptations rather than extending them. In order to support this line of inquiry, evidence from a number of disciplines will be (...)
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  • Narrative and coherence.Gregory Currie & Jon Jureidini - 2004 - Mind and Language 19 (4):409–427.
    We outline a theory of one puzzling aspect of human cognition: a tendency to exaggerate the degree to which agency is manifested in the world. We call this over‐coherent thinking. We use Pylyshyn's idea of cognitive penetrability to help characterize this notion. We argue that this kind of thinking is essentially narrative in form rather than theoretical. We develop a theory of the relation between the degree of narrativity in a representation and its aptness to represent, and to express, mind. (...)
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