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  1. The Smell of Nature: Olfaction, Knowledge and the Environment.Daniel Press & Steven C. Minta - 2000 - Philosophy and Geography 3 (2):173-186.
    Olfaction offers unique entry into the non-human world, but Western culture constrains such opportunities because of the dominance of the visual mode of perception. We begin by briefly reviewing philosophical arguments against olfaction as a reliable cognitive input. We then build a biological case for the similarity of non-human and human olfaction. Subsequently, we argue that some contemporary societies still make use of olfaction for organizing themselves in space and time. We end by suggesting that olfaction offers promise for advancing (...)
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  • Head in the Clouds.David Macauley - 2010 - Environment, Space, Place 2 (1):147-184.
    The sky proclaimed Emerson is “the daily bread of the eyes.” Despite the apparent truth of this observation, we often fail to appreciate the complex canopy of air above and around us in considerations of environmental aesthetics and ecological awareness. I examine the sky and aerial phenomena that are bound to, closely allied with, or materially emergent from, this ocean of blue. In the process, I develop a perspective for thinking about some of the aesthetic characteristics and dimensions of this (...)
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  • The Smell of Nature: Olfaction, Knowledge and the Environment.Daniel Press & Steven C. Minta - 2000 - Ethics, Place and Environment 3 (2):173 – 186.
    Olfaction offers unique entry into the non-human world, but Western culture constrains such opportunities because of the dominance of the visual mode of perception. We begin by briefly reviewing philosophical arguments against olfaction as a reliable cognitive input. We then build a biological case for the similarity of non-human and human olfaction. Subsequently, we argue that some contemporary societies still make use of olfaction for organizing themselves in space and time. We end by suggesting that olfaction offers promise for advancing (...)
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  • The Aesthetics Of Dwelling.Anne-Mari Forss - 2014 - Journal of Aesthetics and Phenomenology 1 (2):169-190.
    ABSTRACTTheories of aesthetics have traditionally represented the aesthetic object as a framed, distanced and contemplated individual piece to be appreciated. As such the aesthetic object has mainly been a work of art. This view has been challenged especially by environmental and everyday aesthetics, approaches which bring everyday environments and matters into consideration as possible objects of aesthetic appreciation. In this article I explore recent theories of everyday aesthetics focusing on how they treat the questions concerning ordinarity and attachment with regard (...)
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  • The Enchanted World of Modernity: Paracelsus, Kant, and Deleuze.Jane Bennett - 1997 - Cultural Values 1 (1):1-28.
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